diane auf naxos (2012) Sculptuur door Paul Scott

Verkocht

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Verkocht door Paul Scott

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Verkocht door Paul Scott

Roger (Roger Barking that is) told me that he thought that this sculpture / picture represented Diana, Princess of Wales abandoned on Naxos by Theseus (The Prince of Wales), and I think that he is right. If you look hard you can almost make out the prince on the poop of the yacht Britannia with his habitual gesture indicating noblesse oblige with a[...]
Roger (Roger Barking that is) told me that he thought that this sculpture / picture represented Diana, Princess of Wales abandoned on Naxos by Theseus (The Prince of Wales), and I think that he is right. If you look hard you can almost make out the prince on the poop of the yacht Britannia with his habitual gesture indicating noblesse oblige with a touch of insanity, an attribute last properly rendered in Goya's painting of the Spanish Royal family at the height of their ... power. At the time of Theseus, of course, unloading princesses was a lot simpler. And, what's more, what was done at one end of the Mediterranean was unlikely to be known at the other for some considerable time, if ever. No need for a tiresome inquest, therefore. Roger particularly admired the theatrically tragic gesture apparent in the flowing ribbons of the princess' dress as her soul transmogrifies. Stella, on the other hand, sees a lot of grinning faces, but that's probably because she's flying a bit high at the moment. I'll ask her again when she calms down.

Verwante thema's

Diana Princess Of WalesThe Prince Of Wales

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I studied at Northampton Grammar School, then at Sheffield University and later at Bolton Institute of Technology. I would tell you about the paternoster in the Sheffield University Arts Tower, but it would[...]

I studied at Northampton Grammar School, then at Sheffield University and later at Bolton Institute of Technology. I would tell you about the paternoster in the Sheffield University Arts Tower, but it would probably be too much of a digression. I then worked at Stokes' Paint Factory (where I mixed paint) and subsequently in what was called at the time a lunatic asylum (where I looked after the lunatics), a venerable institution situated in Northampton founded in 1838 with its own nine-hole golf course and church designed by the celebrated architect Gilbert Scott, where I assisted, among other things, with their programme of electro-shock therapy. I was subsequently employed in all sorts of businesses and institutions too numerous to mention here. This dabbling in just about everything had the effect of giving me a reasonable grounding in what it means to be a human being, and, to a lesser extent, a grounding in the aesthetics of everyday life. Whatever that is. 

During this period, I represented four living artists for some time in the Northampton area. That was hard, but my long association with these four artists taught me much about art and art appreciation.

 I subsequently bought and sold eighteenth, nineteenth, and twentieth-century art. That was easier, but still not easy to make enough money to live on. 

During this whole time, I continued to draw, paint, and photograph what was around me.

I hope my feelings come through in what I do, and that my art expresses something of the wonder and strangeness of life.

I have lived in Estaing, Aveyron since 2008, and married a French woman (my second marriage) in 2017. We have two cats.

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