Le Nuage de Poudre (2021) Painting by Noiteart

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Seller Noiteart

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Seller Noiteart

  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 19.7in, Width 15.8in
  • Framing This artwork is not framed
  • Categories Figurative Dance
Peindre un corps humain est pour moi l'exercice le plus difficile, car on n'a (presque !) pas le droit à l'erreur. Les muscles, les os, et toute l'anatomie humaine en général sont des choses que je ne maîtrise pas. Et c'est justement la raison pour laquelle j'ai voulu me lancer ce défi. Cette toile est inspirée[...]
Peindre un corps humain est pour moi l'exercice le plus difficile, car on n'a (presque !) pas le droit à l'erreur. Les muscles, les os, et toute l'anatomie humaine en général sont des choses que je ne maîtrise pas. Et c'est justement la raison pour laquelle j'ai voulu me lancer ce défi.

Cette toile est inspirée de l’œuvre du photographe Ludovic Florent, sur sa série « Poussières d’Etoiles ». Le dessin de l’athlète, la création du mouvement et le travail de la lumière en sont les éléments clés. 🖌

« Rien en art ne doit ressembler à un accident, même le mouvement », Edgar Degas.

Related themes

AthlèteFemmeNuageDanse ClassiquePoussières D'étoiles

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I have never had any real experience –professionally speaking– of the world of art, but I was surrounded throughout my childhood in different artistic environments, notably by joining classes at schedules[...]

I have never had any real experience –professionally speaking– of the world of art, but I was surrounded throughout my childhood in different artistic environments, notably by joining classes at schedules arranged within the Conservatoire ofReims. From there I touched on a wide range of artistic knowledge, through piano practice, choir, classical dance, music theory and, finally, art history. And yet, it is the passion for drawing and painting that has accompanied me the longest, without taking classes.

Since I was little, I have looked with admiration at the works of the greatest painters. , with a great interest in realism, and amazement in the face of hyperrealism. By visiting museums, I created a goal for myself: to represent reality, everything that surrounds me and what my eyes perceive. But I had little hope of achieving such a level of accuracy and, little by little, I turned away from the artistic world. It was in high school, after applying for the Visual Arts course, that I reconnected with the practice of painting. It is thanks to this teaching that I laid the foundations of an in-depth artistic culture, and began to find my bearings as well as my limits.

I have always been very modest about my creativity. Whether in music, writing or painting, I have often considered that my art is something personal, and that it should leave no room for recognition. A simple and discreet passion that I practiced solely for myself. Growing up, I found it difficult to attempt to faithfully reproduce my environment without requiring objective judgments. This allowed me to evolve and enrich my know-how.

Today a student, I take advantage of my free time to develop my skills by creating acrylic canvases , with a certain affection for figurative art.

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