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ROOM #4. After Hammershøi (2019) Photography by Marta Lesniakowska
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Original Artwork (One Of A Kind)
Photography,
Digital Photography
/
Non Manipulated Photography
on Paper
- Dimensions Height 15.8in, Width 15.8in
- Artwork's condition The artwork is in perfect condition
- Categories Photographs under $5,000 Hyperrealism
Fotografia reprodukowana w artykule: Olimpia Gaia Martinelli, Portrait d'Artiste:Marta Lesniakowska, "Artmajeur Magazine" 2023 nr 26 p. 38-40.
A photograph from the "Empty Rooms" series. The empty interior as a variation of still life here activates an old iconographic strategy that never compromises. In my "remembering gaze," the gated staircase and ajar door evoke the paintings of Danish painter Vilhem Hammershøi. As with him, my photographs reflect on the effectiveness of narrative, the role of light as parergon. The contemplative mood, the iconic/spatial complexity, the tension between the partial opening/closing of space, the present/visible and the absent/hidden all prolong perception, drawing the viewer into a peculiar game. As in many of my works, this photograph invokes the notion of quotation as the guiding principle of re-presentation, which refers back to other images "invented" in real space. Formal language is important here: the pictorial field is disciplined according to the principles of the poets-minimalists: economy of detail, discovering hidden subtexts and allusions in unnoticed fragments of everyday reality and the mundane. The sharpness of the image, the immediacy of the shot, the precision of the composition (here based on the play of verticals and triangles) - all this shows that photography is not contingent/accidental but, like painting, is capable of producing strong images that realize the compositional order as the principles of compact and disciplined image construction (ml).
Photograph reproduced in the article: Olimpia Gaia Martinelli, Portrait d'Artiste:Marta Lesniakowska, 'Artmajeur Magazine' 2023 no. 26 p. 38-40.
Collector's photography color. digital on archival paper Hahnemühle Photo Rag Baryta 315g (semi-flash), archival paper, acid-free. Signed on the front lower left andon the reverse. dated 2014, printout 2021. Format 40x40 cm, on paper 50x50 cm. unglued unframed. Certificate of authenticity. Archival file L1050524.DNG
Marta Lesniakowska is an artist photographer but also, at the same time, historian and art critic, she does research on visual culture. This is what determines his approach to photography: a strategy of the “look that remembers”, which recalls familiar images from the history of art in order to transmit/intertextualize them. Her dialogue with them consists in asking herself if it is possible to evoke their meanings and what they are or can be today. She is fascinated by light - its role in the construction of the image, the parergon that creates the image. This is why, in street photography, she analyzes the interplay of light and dark, the relationship between sharpness and blur and the interpenetration of images as simultaneous realities. In this way, she brings out the mysterious character of the city, referring to the aesthetics of black cinema and to the master of 20th century street photography, Saul Leiter.(ml)
When she takes photographs, nothing is more or less important to her; his gaze is often governed by the principles of minimalist poets: an economy of detail, the discovery of subtexts and insinuations hidden in invisible objects and bits of everyday reality.
Marta Lesniakowska lives and works in Poland. His works are part of public collections (National Museum in Wroclaw, Museum of Bydgoszcz) and private collections (Netherlands, Denmark, Germany, Sweden, Switzerland, United States).
- Nationality: POLAND
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Polish Artists