"Before Elysium (Time Will Tell)"
Sculpture - Wood | 89x24.3 in
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Kristopher Lionel
"I remember that day how the ocean's blue shed a shade or two at the sun's behest and then later how that fickle sea took back a shade or three as the sun tired and fell to rest." -Kristopher Lionel
All artworks by Kristopher Lionel
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"Impasse"
Sculpture - Concrete
Not For Sale
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"Three Little Birds Hang By My Doorstep (The Happy War)"
Oil on Canvas | 66x48 in
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"Breathe"
Sculpture - Oil | 24x82.5 in
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"Land, Water, Pipe, and Wire"
Oil on Paper | 22.8x17 in
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"Above What's Beneath (Veiled Surface Iteration 16)"
Oil on Paper | 23.8x17 in
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"Of The Sea (Veiled Surface, Iteration 12)"
Oil on Paper | 31x23.8 in
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"Disentangling (Veiled Surface Iteration 7)"
Oil on Paper | 45.5x33 in
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"Glimpse (Veiled Surface, Iteration 3)"
Charcoal on Paper | 48x76.5 in
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"The First Two Trumpets"
Sculpture - Concrete
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"A Memory Of Green"
Oil on Paper | 15x11 in
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"Prologue (The Happy War)"
Oil on Paper | 24x18 in
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"Thin Green Line"
Oil on Paper | 36.5x29.5 in
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"Untethering"
Oil on Paper | 26.3x16 in
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"Ascending The Thermals (Veiled Surface Iteration 15)"
Oil on Paper | 29.5x39.3 in
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"The Air Cast Its Shadow On The Water (Iteration 11)"
Oil on Paper | 40.5x29.5 in
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"Each Reign Spills Into The Sea (Iteration 5)"
Oil on Paper | 31x79 in
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"Under the Skin (Veiled Surface, Iteration 1)"
Charcoal on Paper | 44x77 in
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"Breathing Machine"
Sculpture - Metals
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"The Beat of a Dragonfly's Wings (Surface 2)"
Sculpture - Wood | 59.5x47 in
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"Hostis Humani Generis (The Happy War)"
Oil on Paper | 16.3x23.5 in
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"Firmament"
Oil on Canvas | 39.5x50.5 in
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"Copper, Water, Steel, and Air (Veiled Surface, Iteration 19)"
Oil on Paper | 18x16 in
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"Into Clarity (Veiled Surface, Iteration 14)"
Oil on Paper | 23.8x31 in
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"As Water Gives Rise To Rust (Veiled Surface, Iteration 10)"
Oil on Canvas | 31x23.8 in
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"The Sea (Veiled Surface, Iteration 6)"
Oil on Paper | 34.5x82 in
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"'Dissociating and Tumbling (Surface 4)'"
Sculpture - Wood | 56x80.5 in
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"Laughing Machine"
Sculpture - Metals
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"The Moment Ossified (Surface 1)"
Sculpture - Pigments | 47x80.5 in
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"Fucking Nazi (The Happy War)"
Oil on Canvas | 48x37 in
Not For Sale
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"Summer Days Flit By Like Dragonflies"
Oil on Paper | 23.8x17 in
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"All Is Balanced Upon Nothing (Veiled Surface, Iteration 18)"
Oil on Paper | 29.5x23.8 in
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"The Spaces In Water (Veiled Surface, Iteration 13)"
Oil on Paper | 31x23.8 in
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"Tangibly Illusive (Veiled Surface, Iteration 8)"
Charcoal on Paper | 47x29.3 in
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"Dissipating (Veiled Surface, Iteration 4)"
Charcoal on Paper | 47x80 in
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"000.1 (Surface 3)"
Sculpture - Wood | 47x80.5 in
Not For Sale
Recognition
Award Winning
The artist has won prizes and awards
The artist has won prizes and awards
Represented by a gallery
The artist is officially represented by a gallery
The artist is officially represented by a gallery
Art Education
The artist studied the arts through his academic studies
The artist studied the arts through his academic studies
Editor's Pick
The artist's works have been noticed by the editorial staff
The artist's works have been noticed by the editorial staff
Sold in galleries
The artist is sold in galleries
The artist is sold in galleries
Biography
Christopher Brown is a contemporary American artist. Brown's worldview has been softly but substantially inspired by nature, and as a result, his life and art have been guided by it. His creative process alternates between gazing outward and turning inward. Years of seeing and analyzing the causes and effects of the natural world's changes and decline have given him a clear awareness of the damage we've done and continue to do to the planet. His art serves both an outlet and an antidote for him (shifting between his allegorical, Happy War paintings and his abstract works).
Turning inward and immersing himself in Abstract Expressionism provides him with comfort. Exploring shape, color, and the repetition of line in his work, as well as parsing the layers and visual spaces in his art, is a mantra that frees him from the weight of the world. He began to view his abstract paintings as "music for the eyes", in which shape, color, and line are solely expressionistic notes occasionally blended with representational pictures that appear to be poetic lyrics.
Christopher Brown was born in the USA. Brown attended the art program at Hartwick College in Oneonta, NY, where he received his BFA. He then went on to Washington University in St. Louis, MO, where he received his MFA.
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Nationality:
UNITED STATES
- Date of birth : 1971
- Artistic domains:
- Groups: Contemporary American Artists
Influences
Education
1995 - 1997
Master of Fine Arts - MFA.
United States
1990 - 1994
Bachelor of Fine Arts - BFA
United States
Artist value certified
No data available yet
Galleries & Groups
Presented by Light Space & Time Online Art Gallery
Light Space & Time Online Art Gallery
(Art gallery, United States)Achievements
Prizes and Awards
2022
"The Moment Ossified (Surface 1)". Honorable Mention, Light Space Time's 13Th Abstracts Art Exhibition.
United States
2021
"Firmament". 1St Place - Overall, Light Space Time's 5Th Patterns Art Exhibition.
United States
1994
Cum Laude With Departmental Distinction In Art.
United States
Activity on Artmajeur
Last modification date : Apr 24, 2024
(Member since 2021)
Image views: 134,917
Artworks by Kristopher Lionel added to favorite collections: 72
Latest News
All the latest news from contemporary artist Kristopher Lionel
Added Jan 30, 2022
2021 was a successful year despite all the challenges. I'm thrilled to announce that my work, 'Firmament', won 1st Place Overall and 1st Place Painting and Other Media in last year's Light Space & Time Art Gallery's 5th Annual “Patterns” Online Art Competition. The gallery received 531 entries from 22 different countries from around the world.
Added Jun 1, 2022
Selected Group Exhibition 2022
Future Perfect/Imperfect: The Next Century, Silvermine Galleries, New Canaan, CT
Added Apr 3, 2022
Upcoming Exhibition: Silvermine Gallery's 'Future Perfect/Imperfect: The Next Century'.
I'm thrilled to announce that my painting 'Three Little Birds Hang By My Doorstep (The Happy War)' was selected to be included in Silvermine Gallery's exhibition, 'Future Perfect/Imperfect: The Next Century'.
This exhibition, one of the highlights of Silvermine Arts Center’s yearlong centennial celebration, curated by critic and curator Lilly Wei, will commemorate the organization’s many past achievements by looking forward. Wei has put together a body of work that creates a collective vision of what the future might look like and how that may be manifested.
This exhibition opens to the public April 30, 2022.
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Christopher Brown. 'Three Little Birds Hang By My Doorstep (Happy War)'. 2021. 66 x 48 inches. Oil on canvas.
Added Apr 3, 2022
Added Mar 1, 2022
'The Moment Ossified (Surface 1)'
I am thrilled to announce that my piece, 'The Moment Ossified (Surface 1)', received Honorable Mention in Light Space and Time's, 13th annual “Abstracts” Art Exhibition 2022 (The gallery received 1,091 entries from 29 different countries from around the world, as well as from 36 different states and the District of Columbia).
https://www.lightspacetime.art/abstracts-art-exhibition-march-2022/
Added Jan 30, 2022
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