TABLEAU 120 X 120 - 2022 11 16 (2022) Painting by Jean-Pierre Craninx

Acrylic on Canvas, 47.2x47.2 in
$5,720.25
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Sold by Jean-Pierre Craninx

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 4 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 47.2in, Width 47.2in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $20,000 Abstract Beach
Œuvre abstraite évoquant une plage de l'atlantique. Elle est caractéristique du travail de Jean-Pierre Craninx qui est un adepte du noir et de la couleur. L'artiste a utilisé aussi bien des couleurs acryliques brillantes (dans certains noirs) que mates. La couleur acrylique matte à cette faculté de "prendre" la lumière et le noir[...]
Œuvre abstraite évoquant une plage de l'atlantique. Elle est caractéristique du travail de Jean-Pierre Craninx qui est un adepte du noir et de la couleur. L'artiste a utilisé aussi bien des couleurs acryliques brillantes (dans certains noirs) que mates. La couleur acrylique matte à cette faculté de "prendre" la lumière et le noir magnifie la couleur. Au final c'est une œuvre très "présente".

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PlageNoirPaysage

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Jean-Pierre Craninx is an emerging abstract painter, follower of black monochromatic painting. He was born on 06/01/1965 in Waremme, near Liège in Belgium. In addition to a multitude of[...]

Jean-Pierre Craninx is an emerging abstract painter, follower of black monochromatic painting.

He was born on 06/01/1965 in Waremme, near Liège in Belgium.

In addition to a multitude of training courses in various techniques, he graduated from the Haute Ecole Supérieure des Beaux-arts Saint Luc de Liège, in plastic, visual and space arts.

He was a professor of design and technology but now devotes himself fully to abstract painting.

His main reference is Pierre Soulages but also, on a subsidiary basis: James Austin Murray, Gerhard Richter or Giancarlo Bargoni.

He gives himself no technical limit to create "his" blacks. Acrylic is mainly used but also epoxy, oil, tar, mineral coatings ...

The structured effects of materials are also the subject of special attention in his work.

He can thus set in vibration several blacks side by side and yet very distinct.

His work is truly "artypical" because, for him, light is an integral part of the work and participates in the endless multiplication of it.

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