verwachsene Säulen (2019) Sculpture by Günther Mika

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  • Original Artwork (One Of A Kind) Sculpture, Clay / Ceramics on Object
  • Dimensions Height 19.7in, Width 16.1in / 17.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Fit for outdoor? Yes, This artwork can be displayed outdoor
  • Categories Sculptures under $5,000 Figurative Monument
All ceramic works were fired in a wood-fired kiln at 1300 degrees. As with the oil paintings, we find lines on the surface, some of which are spontaneous, but are also deliberately set. There are objects with closed spaces that invite you to enter them, or bodies compressed from strands that build column-like objects. There are no predetermined patterns,[...]
All ceramic works were fired in a wood-fired kiln at 1300 degrees. As with the oil paintings, we find lines on the surface, some of which are spontaneous, but are also deliberately set. There are objects with closed spaces that invite you to enter them, or bodies compressed from strands that build column-like objects. There are no predetermined patterns, everything is in constant motion, the corridors in the hollow bodies end abruptly or lead to other rooms via openings.

Related themes

KeramikFreibrandPlastrik

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Günther Mika is a contemporary German artist. Since 1984 he has been creating artistic ceramic objects, material paintings (using materials including clay, sand, paper, and[...]

Günther Mika is a contemporary German artist. Since 1984 he has been creating artistic ceramic objects, material paintings (using materials including clay, sand, paper, and chalk), and large oil paintings. All of the ceramic pieces were produced at 1300 degrees in a free-burning wood-fired kiln. Porcelain was utilized to cover various things, and glazes and salt were also used in the combustion chamber. Decorative lines, some of which are randomly placed, were painted over the surfaces.

Günther Mika has revived the southern part of Leipzig to its natural state through his illustrations of landscapes. Although the lines of his movement paintings are not precisely drawn, they do emerge from the painter's motion, clearly defined but occasionally with a hint of randomness.


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