" Le Sang des Lauriers " - Série COMMOTIONS n•04 (2014) Painting by Grégory Dreyfus

Tempera on Linen Canvas, 51.2x38.2 in
$28,312.47
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This print is available in several sizes.

$32.23
$51.56
$105.27
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Seller Grégory Dreyfus

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
Mounted on Wood Stretcher frame
This artwork appears in 3 collections
"Le Sang des Lauriers" - COMMOTIONS Series n • 04 The reward of creative ideas, rebellious 'enlightenment' ... this strong feeling of appreciation in "non-figurable elements" of oneself and yet accountable and potentially productive: the inspiration, engineering, ... obtaining, partitioning acts of creation, enhancement,[...]
"Le Sang des Lauriers" - COMMOTIONS Series n • 04 The reward of creative ideas, rebellious 'enlightenment' ... this strong feeling of appreciation in "non-figurable elements" of oneself and yet accountable and potentially productive: the inspiration, engineering, ... obtaining, partitioning acts of creation, enhancement, realization. And to these driving forces that have pushed us there, but certainly also frustrated, embarrassed, influenced ... subject to the 'elusive' and despite everything pregnant in oneself like a ball that we drag ourselves, an anvil that we ourselves coltine and that we wear. The goal of which will be, 'in fine', to detach itself from it as well as to put it down. To All this psychotic experience that assails us ... from the resurgence of family conflicts ... from childhood ... from the construction and realization of oneself ... by all these words that will have been thrown at us one day. .. or these stresses and little things which through anxiety will have attached themselves to these flaws in traumatic experiences, these stories that we keep within ourselves - and which will remain because they have just entered. To these very small things, shapeless, unsuspected but which at bottom in nagging ways hurt ... and remain ... that are also passed on in generation in a virus transmission, without knowing that they will constitute "a place of attraction to our 'destructiveness' "thereby influencing our entire life and those of our 'privileged'. To all these fights to 'deconstruct' ... these 'psychic break-ins of the real' (of death in itself). ... To this challenge of living ... AND of being well. The notion of psychic break-in is evoked by Sigmund Freud, father of psychoanalysis in 1894. It designates the pain that imposes itself in the psyche with force, settling down without warning for a long time and with concrete repercussions on the daily lives of those affected . Degraded stress tolerance; a modified report to others; greater and more sensitive emotional intensity; a higher level of fatigue; automated monitoring of interactions in the professional, family and social environment; decreased quality of recovery in sleep, insomnia. In an observed latency period during which we see the evil settling in without really manifesting itself until the day when an event, generally minor, triggers ... comes to upset this precarious balance. Referent Index: -Söderström, Dag. “Between Psychosis and Trauma: Psychoanalytic Perspectives [1]”, Psychothérapies, vol. flight. 29, no. 3, 2009, pp. 145-155. -Metapsychology: is interested in describing the internal balance of the different psychic bodies and in teaching us something about the internal economy, that is to say the forces and processes that will determine the status and evolution of internal psychic representations. Our metapsychological tools are first of all those which concern the ego, its constitution, its cohesive forces, but also its wounds, its holes, its pierced core. The other theoretical register seeks to identify the main subject of contemporary psychoanalysis, namely the non-figurable elements whose representation by words is not guaranteed and whose perceptual experience remains mainly persecutory. They are internal objects which cannot be linked by secondary and symbolic processes.

Related themes

Série CommotionsGregory DreyfusFrench Transversal ArtistLe Sang Des LauriersEffraction Psychique

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Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was[...]

Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was to be gloriously balanced in art, by the action of one as by the action of the other. Dancer, mime, designer and singer were, however, his first living expressions.

After 4 years spent studying art and design at the JULIAN Academy and the school of graphic art and interior architecture, “Met de Penninghen” in Paris. And after having been the apprentice of one of the last great alchemists of oil painting. Or ambitious for having been approached, the Magnum photo agency in NY as photographer. ...Meeting masters, maintaining exchanges with great artists. Passionate about the History of ideas, self-knowledge... - A pronounced taste for Asia. But living in particular in London, Paris, NY and Taipei - He never stopped working to develop his creation, linking their very actions in all aspects.

Drawing, painting, playing, dancing, framing, installing... launching into transversal work, as an actor on all forms of theater stages as well as film sets - author, director - director... and visual artist. Thus nourishing each “act” of creation from one to the other, he jointly amplified this creativity.

...At the same time, he embraced the world and industries of advertising, music, theater and cinema at different levels of creativity and responsibility.

...Leading like a weaving, this multi-body work with a thread of happy subsistence, in a life of perpetual advancement. ...Linking very often, always developing, constantly projecting, in the transversal perspective, this long-term "movement".

Today, he leads all the battles head-on in the balance of an almost musical dialogue...And in short! ...To simply make a work.

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