L'enlèvement des Sabines Painting by Gilles Chambon

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  • Original Artwork Painting, Oil on Canvas
  • Dimensions Height 19.7in, Width 23.6in
  • Categories Paintings under $5,000 Figurative
peinture synchronistique, qui entremêle trois réminiscences picturales : - La nostalgie de l’infini, de Giorgio de Chirico, 1912, New York, MoMA - Cathédrale, d’Albert Gleizes, 1912, Hanovre, Sprengel Museum - L’enlèvement des Sabines, d’un inconnu du XVIIe s. romain, collection privée Tous les mythes[...]
peinture synchronistique, qui entremêle trois réminiscences picturales :

- La nostalgie de l’infini, de Giorgio de Chirico, 1912, New York, MoMA
- Cathédrale, d’Albert Gleizes, 1912, Hanovre, Sprengel Museum
- L’enlèvement des Sabines, d’un inconnu du XVIIe s. romain, collection privée

Tous les mythes ont affaire avec la synchronicité. On pourrait même dire que c’est elle qui caractérise tout grand récit mythologique. En effet, comme Freud l’a montré pour l’histoire d’Œdipe, la polysémie du mythe fait qu’il est capable d'enjamber le temps, et de cristalliser à chaque époque une signification particulière liée aux problématiques et à l’imaginaire collectif du moment.

L’enlèvement des Sabines est lié à la fondation de Rome par Romulus, mais il nous parle aussi de mythes plus anciens se référant au culte de la Grande Déesse et aux rituels de mariage indo-européens (voir mon article: L'Enlèvement des Sabines, ambivalence et double jeu, sur le blog "débat art-figuration"

Related themes

MythologieSynchronicitéChirocoGleizesSabines

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Gilles Chambon is a contemporary French painter. After creating fantastic cities in watercolor, he moved on to oil painting, reinterpreting classical painters' topics in an[...]

Gilles Chambon is a contemporary French painter. After creating fantastic cities in watercolor, he moved on to oil painting, reinterpreting classical painters' topics in an eccentric manner. Since 2014, he has begun practicing synchronistic painting, which consists of a telescoping, in each painting, of fragments borrowed from the history of painting and reinterpreted. 

The painted image still has a magical effect on Chambon. His creative method centers on the investigation of the connections between ancient and contemporary works, producing new poetry that he refers to as synchronistic painting. Chambon exhibited his works nationally, as well as internationally in China, Japan, Belgium and Spain. In 2018, he obtained the bronze medal at the 228th Salon des Artistes Français for one of his paintings.



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