Huida Al Cielo II (2016) Painting by Fotia

Not For Sale

Sold by Artmajeur

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 3 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 31.5in, Width 23.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $500 Abstract Abstract
When I stand in front of an in white canvas I feel bewilderment and insecurity. It is like jumping into de void, but when the first strokes appears I feel that I am going to a safe and container place. It is in that moment, when I have the conviction that this trip to the interior of my work is going to take me to unimaginable places. Over there I[...]
When I stand in front of an in white canvas I feel bewilderment and insecurity. It is like jumping into de void, but when the first strokes appears I feel that I am going to a safe and container place. It is in that moment, when I have the conviction that this trip to the interior of my work is going to take me to unimaginable places. Over there I feel that time does not exist, but is a stadium in which I hide myself. Probably, that is the way where other sensual and organics inspirations happen, where the thought is the reality and the physical the illusion. After years looking inside my interior I began to understand where I’m going and what powerful forces will drag or sink me and which lights will guide or dazzle me. My works are my place in the world. They are an intimacy state that I built for myself, in public.

Related themes

AbstractColorFormLightPainting

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When I stand in front of an in white canvas I feel bewilderment and insecurity. It is like jumping into de void, but when the first strokes appears I feel that I am going to a safe and container place. It is[...]

When I stand in front of an in white canvas I feel bewilderment and insecurity. It is like jumping into de void, but when the first strokes appears I feel that I am going to a safe and container place. It is in that moment, when I have the conviction that this trip to the interior of my work is going to take me to unimaginable places. Over there I feel that time does not exist, but is a stadium in which I hide myself. Probably, that is the way where other sensual and organics inspirations happen, where the thought is the reality and the physical the illusion. After years looking inside my interior I began to understand where I’m going and what powerful forces will drag or sink me and which lights will guide or dazzle me. My works are my place in the world. They are an intimacy state that I built for myself, in public.

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