Beauty of a horse shit (2019) Design Faber Artisan tarafından

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  • Orijinal sanat Design, Masa Sanatı
  • boyutlar Yükseklik 3,9in, Genişlik 10,6in
  • Kategoriler Designs $500'nun altında Örnek Moda
Wild chestnut is a tree valued about like a politicians - too soft to make just about anything, and becouse of its calories poorness wortless even for heating. Only the bees on his flowers collect nectar, and from the fruit is produced a tincture for veins. Of course, with its height of up to 35 meters and a rich treetop, it often captures views in[...]
Wild chestnut is a tree valued about like a politicians - too soft to make just about anything, and becouse of its calories poorness wortless even for heating. Only the bees on his flowers collect nectar, and from the fruit is produced a tincture for veins. Of course, with its height of up to 35 meters and a rich treetop, it often captures views in parks, but that is about it.
Everybody asks me, what are you going to do with it?
- I'll make a bowl like no one else's, I say, and they replayed - Yeah, horse shit ..
And at the end I have to give it the price according to the name.

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Horse ChestnutApplied ArtUnique

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Why Faber Artisan?  Why homo faber, the man who creates, in the 21st century, when everything is allready created? Probably not because of earnings, there are countless easier, simpler and more lucrative[...]

Why Faber Artisan? 

Why homo faber, the man who creates, in the 21st century, when everything is allready created? Probably not because of earnings, there are countless easier, simpler and more lucrative ways to earn a bread, and this one is certainly not among those which make big money (you'll become a millionaire in it if you start as a billionaire). Then, certainly not to leave a trace, because almost everyone except masterpieces, and they are not necessarily spared, will be lost and disappear in the years ahead. 

But on the contrary, certainly because with the creation that is at hand, which is not a necessity, we set up the new limits of our own freedom, exclusively our own, in which we then comfortably and humanely understand the people around us, relationships and systems that form the reasons why both others are no better, but they so very might be. 

For the same reason pieces I make have a purpose, they are useful but I use the purpose as an alibi for (hopefully) artistic design. And because of a million reasons, I make only uniques. The main - each piece of wood is more unique than a human fingerprint or a sample of a cornea, and it pulls towards some self-given form. 

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