Shore N.09 (2024) Fotografia da Erkan Cerit

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Risoluzione massima: 12402 x 8268 px
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  • Quest'opera è una "Open Edition" Fotografia, Schizzo / Stampa digitale
  • Dimensioni Diverse taglie disponibili
  • Numerosi supporti disponibili (Carta per belle arti, Stampa su metallo, Stampa su tela)
  • Incorniciatura Framing disponibile (Cornice galleggiante + sotto vetro, Frame + Sotto vetro acrilico)
  • Condizioni dell'opera d'arte L'opera d'arte è in perfette condizioni
  • Categorie Iperrealismo Paesaggio marittimo
The coast, also known as the coastline or seashore, is defined as the area where land meets the ocean, or as a line that forms the boundary between the land and the coastline. Shores are influenced by the topography of the surrounding landscape, as well as by water induced erosion, such as waves. The geological composition of rock and soil dictates[...]
The coast, also known as the coastline or seashore, is defined as the area where land meets the ocean, or as a line that forms the boundary between the land and the coastline. Shores are influenced by the topography of the surrounding landscape, as well as by water induced erosion, such as waves. The geological composition of rock and soil dictates the type of shore which is created. The Earth has around 620,000 kilometres (390,000 mi) of coastline. Coasts are important zones in natural ecosystems, often home to a wide range of biodiversity. On land, they harbor important ecosystems such as freshwater or estuarine wetlands, which are important for bird populations and other terrestrial animals. In wave-protected areas they harbor saltmarshes, mangroves or seagrasses, all of which can provide nursery habitat for finfish, shellfish, and other aquatic species.

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ShipyardDockyardBirds Eye ViewShipsShore

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I have produced visual effects for national and international cinema and television productions for nearly 30 years. Over the years, I was very happy and encouraged to feel that the realistic or surreal designs[...]

I have produced visual effects for national and international cinema and television productions for nearly 30 years. Over the years, I was very happy and encouraged to feel that the realistic or surreal designs I created for the magical world of cinema were approaching artistic elegance.
In 2010, Turkey's first and still only true stereoscopic 3D cinema film, " Hell 3D" I worked as the stereoscopic 3D director and visual effects supervisor of the feature film. With this experience; I wanted people who have two eyes and have seen 3D throughout their lives to be able to experience this comfort in artistic works. I have been continuing my work on the subject of 2.5 dimensions since 2010. It would be possible to summarize the concept of 2.5 dimensions as an effort to add depth to two-dimensional artistic designs or to fit the three-dimensional universe into a frame... 
My experiences in image creation and imaging techniques; I try to reflect this in my photography, painting, digital painting and 2.5 dimensional sculpture works.

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