Pleine lune (2016) Painting by Emmanuelle Pellet

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 47.2in, Width 29.5in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Surrealism Beach
Pleine lune Une tragédienne, inspirée par le décor spectaculaire d’un coucher de soleil, improvise son rôle sur une plage un soir de pleine lune. Entre un ciel baroque, qui menace de déverser ses rideaux de pluie, et une actrice, dont le seul accessoire est son sac de tous les jours, la frontière entre réalité et fiction semble perdre[...]
Pleine lune

Une tragédienne, inspirée par le décor spectaculaire d’un coucher de soleil, improvise son rôle sur une plage un soir de pleine lune. Entre un ciel baroque, qui menace de déverser ses rideaux de pluie, et une actrice, dont le seul accessoire est son sac de tous les jours, la frontière entre réalité et fiction semble perdre un peu de son étanchéité. A l’instar de cette actrice, lequel d’entre nous ne s’est-il jamais senti l’interprète d’une comédie ? Une palette d’ombres et de tons sourds estompe progressivement les motifs figuratifs pour affirmer un simple jeu de lignes et de couleurs résumées aux trois primaires (rouge, jaune, bleu). Faisant écho au sujet peint, qui interroge les frontières entre réalité et fiction, les partis pris plastiques du tableau questionnent ainsi les limites de la figuration et de l’abstraction.
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Painter, illustrator, author, art historian and associate professor of Plastic Arts, Emmanuelle Pellet studied at the Ecole du Louvre and at La Sorbonne in Paris. She taught from college to university before[...]

Painter, illustrator, author, art historian and associate professor of Plastic Arts, Emmanuelle Pellet studied at the Ecole du Louvre and at La Sorbonne in Paris. She taught from college to university before directing the educational action of the Louvre Museum for ten years.

She has lived in Luxembourg, Mauritius, Singapore, and is currently based in Aix-en-Provence where she devotes herself fully to painting.

The heroes of his paintings live without angelism in a disenchanted world. She sketches them tenderly, caresses their features with her soft, fine brushes, repairs their flaws by giving them a luster they could not have hoped for, as if to allow them to slip into the unreasoning catalog of a famous master, or on the picture rails of a museum. These smooth fictions like distorting mirrors invite the viewer, between laughter and tears, devotion and provocation, to reflect on the boundaries of taste, culture, reality, life.

Emmanuelle Pellet is a member of the Taylor Foundation, represented by several online galleries. She is regularly exhibited in art galleries and her paintings are present in private collections around the world.

See more from Emmanuelle Pellet

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