Ekrem Fetic

Figustract or unity of figuration and abstraction in painting. Acrylic painting on masonite.Size? cm.
Price?$697

I'm born in Zenica city (Bosnia and Herzegovina) in April 1956 year.I living and working in the same city.

Figustract or Unity of Figuration and Abstraction in Painting.Tempera painting on paper.Size :100x70 cm.Price:US$497.

Figustract or Unity of Figuration and Abstraction in Painting.Tempera painting on paper.Size:100x70 cm.Price:US$497.

Bosnia is European country.She is continue 1000 years.We had many victims during te war in Bosnia (1992 - 1995 ) and it also destrojed a great number of homes and industrial and much of our cultural and historical heritage.In 1995 I got the inspiration for my paintings.That year (and during the whole war) Isaw hundreds of soldiers dressed in masked uniformes,walking on the street of Zenica city.The images of those uniformes struck me deeply.Thinking in the context of art Irealized that it was an ideal picture.On the one hand it's like the ready made,and on the other unity of figuraqtion and abstraction ;ontology's dualism of representative and ontology'sw homogeneous presentative of picture.
As the French aesteticer Etienne Souirou said long ago ,in signs we have picture of the picture,and also picture which is the presentation of itself.It's clear that the picture of masked uniformes make that figuration, and its contens or different plans makes the apstraction of the picture.Of course such a picture inspires definite philosophical reveires and dilemmas .This is because it is a picture that pacifies two up to now uneasy opposites of contemporary art? and abstract,or Aristotelean and Platonic.By purchasing this picture You come into possession of this long course of contemporary art.This aesthetic object sublimates itself with its own being.
Picture are made in two cyclus.A cyclus and B syclus.A cyclus are projected on method of Juan Gris,in orter that is oval form to make bottle.While B cyclus ,to follow way of Paul Cezanne in order that is of bottle to make oval form.

Statement
June 17, 2013

Kada se govori o umjetnosti,jedno od prvih pitanja koja vam u tom trenutku padaju na pamet, jeste ono esencialno pitanje.Šta je umjetnost?Staro je to pitanje,koliko i ljudska civilizacija.I niko na njega danas nemože dati precizan odgovor.Njime se bave :Estetika,Historija umjetnosti,Likovna kritika i Filozofija.Uspostavili su određene standarde, u koje pokušavaju da uklope umjetničke forme likovnih dijela.Ali je problem u tome ,što se umjetnost stalno mijenja,pa zato ne ulazi u prethodno zacrtane šeme..Kasnije se često ispostavi ,da ono što su odbacili kao umjetnički škart jučer,ustvari jeste prava umjetnost danas.A pogotovu sutra.Jer nove tendecije i pojave u likovnoj kulturi, uspostavljaju i nove umjetničke standarde.Zbog toga se odgovor na postavljeno pitanje relativizira i razvodnjava.Pa se kao takav nemože jednoznaćno odredit.*A možda pitanje i nije postavljeno na pravi naćin.Njega treba konkretizirat sa sljedećom rećenicom.Šta je za određenog umjetnika umjetnost?I baš kada sa olakšanjem pomislite da smo konačno došli do odgovarajućeg pitanja, mi shvatamo da ono kao takvo stvara nove komplikacije i usložnjava odgovore.
Nakon pojave Pabla Pikasa (Pablo Picasso),u svijetu umjetnosti postalo je gotovo pravilom,da se umjetnik izražava kroz više stilova i medija.Naravno ako ima šta da kaže.
Za mene je umjetnost ćisto slikarski prolem;simbioza figuracije i apstrakcije – Figustract. Ontološka dvojnost Reprezentativne i ontološko jedinstvo Prezentativne slike http://www.artefetic.co.ba. Umjetnost je takođe: geometriziriana ,savršena i potpuna slika nove forme, tj. Konkretna umjetnost.Concrete art.**Slika sa kojom nema dileme da li je gotova,jer je njena konstrukcija apsolutna kategorija,pa radi rećenog, njoj se ništa nema dodat ni oduzet.Dok je boja nedvosmisleno određena i u cijelosti definisana vrijednost kompletnog ciklusa radova.Takva slika je ideal, kojem inaće u životu stremimo.Ali ga nikada ne dosežemo, kao krajnji cilj estetskog užitka.
Zašto su letve plave i crvene?Plavo oćituje hladnoću i čvrstinu glečera .Ono simbolizuje otmenost i gordost vrletnih planina i vječnu snagu praiskona.Crveno je kao vulkan i zraći erupciju života,vatru koja isijava energiju i vrelinu postanka svijeta.Postavljeni zajedno znaće egzistenciju suprotnosti i ćine dinamiku na površini slike.Uostalom neki kipari kao šamani boje svoje skulpture.Da bi im udahnuli više života pa na taj naćin ih primakli stvarnosti.
Tokom historije razvoja suvremene likovne umjetnosti,predmet je iz slike izišao na površinu u formi reljefa.Da bi se vremenom i potpuno odvojio od slike i pretvorio u skulpturu*********Ja sam zatvorio krug evolutivnog procesa,tako što sam vratio predmet u sliku.Ali sada obogaćen evolutivnim stepenom razvitka predmeta,u formu reljefa i skulpture.********** Tim ćinom je forma u slici dobila ultra plus znaćenje,i pretvorila se u jedinstvo apstrakcije i figuracije.Posljedice mog poteza su ogromne.Stavljena je tačka na dalji tok osamostaljenja predmeta od slike, a spajanjem glave i repa,zatvoren je puni krug evolutivnog razvoja istog.
Zašto jedinstvo figuracije i apstrakcije u slici? Za tako nešto postoje estetski i sociološki razlozi.Ovdije ćemo spomenut sociološke ,a o estetskim razlozima nešto kasnije.

Ovo je doba univerzalnih vrijednosti.U kojem nije rijetkost da jedna osoba radi u više zanimanja.Ili kupuje alate za višestruku upotrebu.Televizore koji su u isto vrijeme i raćunari.Mobilne telefone ,što pored govorne vrše i funkciju:sata,fotoaparata,video kamere,navigatora igrica i slićno.Znaći da živimo u vremenu racionalnosti i ekonomićnosti.Na takvu situaciju u društvu umjetnost nemože biti ravnodušna.Ona mora da reagira na taj naćin ,što će usvojit postojeća mijerila vrijednosi.Koje će inkomponirat u svoja podrućija dijelovanja.U interesu zajednice ,kao šireg društvenog ambijenta neposredne stvarnosti.
Estetski razlozi-Nakon pojave apstrakcije u slikarstvu,poćinju i pokušaji od strane umjetnika da ujedine figuraciju i apstrakciju,u jednu vizuelnu formu.Težnja ka tome je razumljiva,i može se protumaćit na više naćina :1.Kao izazov što se stavlja pred umjetnika,da riješi problem koji je vrlo složen i već na prvi pogled teško riješiv,2.Opravdana želja da se postane zanimljiv svim ljubiteljima umjetnosti.Zagovornicima jedne ,kao i druge opcije spomenutih izraza u slikarstvu.3.Namjera da se u ontološkom smislu objedini dvojnost (figuracije) i jedinstvo (apstrakcije),kao dva potpuno suprotna naćina koncipiranja slike.4.Osiječaj umjetnika da marginalizacija likovne umjetno sve više dolazi do izražaja u suvremenom dobu.I da njena efemernost uzmiće pred medijma koji su ispunili prostor na društvenoj sceni.Kao šro su :film,televizija,internet.itd.

Redovito se u pokušajima da se napravi jedinstvo apstrakcije i figuracije griješi.Zato što je pomenuta realizacija nemoguća misija. Jer oni uvijek nastoje da sijedine ‘formu’figuracije i apstrakcije.Jedni te pokušaje prave sa više ,a drugi sa manje uspijeha.I to je sve .Kreacija se zasniva samo na pokušaju, pa na tome ostaje.Zašto umjetnici griješe u svojim naporima da stvore pomenuto dijelo?Oni promašuju radi toga jer se bave jalovim poslom..Koji meni izgleda kao pokušaj alhemićara, da od željeza napravi zlato.Nemoguće je sijedinit formu apstrakcije sa formom figuracije .Zato što one jedna drugu poništavaju.

Osim ako se problemu priđe sa druge strane,pažljivim i promišljenim izborom motiva*** ili stvaranjem novog,****koji u sebi sadrži mogućnost kreiranja i iskazivanja figuracije i apstrakcije istovremeno.
S obzirom da umjetnost nema praktične vrijednosti.A u proteklih stotinu godina strategijom svođenja ,dovela je sebe u ontološkom smislu na sam rub vlastite egzistencije.Zbog toga ona mora preispitat svoju ulogu u društvu.Da bi zadržala kredibilitet u odnosu na okruženje.Na taj naćin što će postat korisna zajednici u kojoj dijeluje.Predlagat planove akcije za buđenje društvene svijesti i svojom angažovanošću mijenjat tokove civilizacije, kroz konceptualni projekat Bošnjačko pismo.
Pored toga umjetnost je i nastavak u lancu vrijednosti kroz utijecaj na sljedeća dijela.Kao Umjetnost kontinuiteta.Gdije se slika koju je neko napravio jućer,reflektuje na sliku što je stvorena danas i buduću sutra.Jer ako prihvatimo tezu da umjetnost napreduje,onda je posljednja kreacija u tom nizu,vrhunac estetskog pregnuća.

nastavlja se…

*to naravno ne znaći, da se sud o onome šta jeste i šta nije umjetnost obezvrijeđuje i prestaje biti ikakvim mijerilom vrijednosti dijela.Nego samo govori, da je arbitiranje o njemu prilagođeno određenom toku trajnosti, i duhu vremena u kojem se živi.Gdije se prvo dozvoljava dijelu, da ono egzistira kao faktička činjenica u definisanom prostoru kulturne relevantnosti.Što bi se reklo u kontekstu.Da bi se onda ono kao takvo varolizovalo u smislu konkretne činjenice kulturnog artefakta nepobitne stvarnosti.

**Imamo fotografiju slike, na kojoj se nalazi vizija zamišljene apstraktne forme u tri dimenzije.Fotografija je dokument o slici.Dok je slika prazan prostor na kojem je naslikana iluzija skulpture 1.*Realnost ćistog prostora je pojaćana tako da je pozadina forme u bijelom.Što je ćini donekle neutralnom u odnosu na kompoziciju.Pa je slika na taj naćin dokument forme..Koja je opet projekcija ideje na određenoj površini slike.S obzirom da je forma refleksija ideje,koja se stvorila u mojoj svijesti.Ona kao takva nemože biti smatrana dijelom iskustvene stvarnosti,što nas svakodnevno okružuje.Nego smo u prilici reći ,da je forma odraz fikcije u stvarnosti.Znaći apstrakcija kao dokument ideje.A opet gledajući sa druge strane ,forma kompozicije dijela jeste ogledalo stvarnosti.Zato što je napravljena od elemenata koji stvaraju iluziju predmeta iz svakodnevnog života.A to su letve slikane u tri dimenzije.Te letve su postavljene u takav međusobni odnos ,da bi svako pomijeranje iz stvorenog sklopa ,bilo kojeg dijela cijeline,poremetilo kompletnu konstrukciju forme.Zbog toga je slika idealna,u punom smislu te rijeći.Znajući da letve ćine iluziju stvarnosti,a konstrukcija forme privid skulpture,odnosno reljefa,2*jer izrasta iz pozadine, onda možemo smatrat da je slika figurativna.A računajući da smo već ranije zakljućili da je ona apstrakcija.Onda mirne duše možemo kazat, da se ovdije radi o jedinstvu apstrakcije i figuracije .

*********knjiga:Oblik i vreme od Miodrag B. Protić.Izdanje Nolit Beograd 1979 godine .Strana 160.”Predmet postaje raskrsnica i fokus razlićitih procesa.On je prvo postepeno izostavljen,da bi se slika izjednaćila sa čistim likovnim datama i izdvojila od aluzija na nešto izvan nje same;i obrnuto on je ne samo u staroj (trompe -l’oeil) nego i u novoj umjetnosti (hiperrealizam,pop art) često ukidao artikulisanu likovnu strukturu da bi očuvao svoj absolutni integritet.Ili je silaženjem sa ravne površine i razvijanjem u trodimenozionalnom prostoru prouzrokovao ,kao što smo već istakli,promjenu generičkog biča slike,njen preobražaj u reljef i vajarstvo ,dvodimenzionalne iluzije u trodimenzionalnu stvarnost:slike u objekat..”

**********slike Koncentracija snage http://fineartamerica.com/featured/concentration-of-the-power-ekrem-fetic.html i Koncentracija snage – alternacija http://fineartamerica.com/featured/concetration-of-the-power-alternation-ekrem-fetic.html ,ili dva reljefa na slici,pokazuju svaka po 50% izgleda jedne forme (prednja i zadnja strana).Tako su one zajedno jedan vid prikazane skulpture na slici.

***poput Military art

****kao u Konkretnoj umjetnosti

(Ovaj tekst nije završen i nalazi se u fazi promijena.)

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1.*Inspiracija za prvu sliku iz ciklusa Concrete art :Expansion of success ( http://fineartamerica.com/featured/expansion-of-success-ekrem-fetic.html ) je bila skulptura Donalda Judda – Utitled 1969 ( http://fineartamerica.com/featured/donald-judd-ekrem-fetic.html )
2*U Traktu o slikarstvu Leonardo da Vinći kaže:”Slikarstvo ima pet dijelova:površina,oblik,boja , svjetlost i sjenka.I da govoriti o njemu znaći pričat o sjenkama,odnosno o ‘reljefu’ kao njegovoj biti i duši.”
email for contact: artefetic@yahoo.com
Statement
June 17, 2013

When we talk about art, one of the first questions that you at that moment occurred to me, is the essential question.What is art? Old question is that, as human civilization.I nobody on it today it is impossible to give a precise answer.It involved : Aesthetics, Art History, Art critics and Philosophy.Established are certain standards, in that attempt to integrate art forms Fine work.But problem is, what art is constantly changing, and therefore not included in the previously outlined schemes .. Later it often turns out that what they rejected as artistic scrap yesterday, in fact, is the real art today.A especially tomorrow.Because new tendencies and developments in visual culture, and establishing new artistic standard.Because that the answer to the question relative and dilutes. and as such can not be uniquely determined. * And perhaps the question is not set to true method.Him to concretize the following sentence.What for certain artists art? And just when you think with relief that we have finally come up with appropriate questions, we realize that as such, it creates new complications and complicated answers.
After the emergence of Pablo Picasso (Pablo Picasso), the art world has become almost the rule, the artist expressed through multiple styles and media.Of course if you have something to say.
For me, art is pure painting Prole; symbiosis figuration and abstraction – Figustract. Ontological dualism representative and ontological unity of representing images http://www.artefetic.co.ba. Art is also: geometrical, perfect and complete picture of the new form, that is Concrete art ** .Image with which there is no doubt that it’s over, because its structure is absolute categories, so doing has been said, there is nothing no additional or deducted.While color is clearly defined and completely defined by the value of the complete cycle of the works.Such image is ideal, as we are in life strive.But it never reaches it, the ultimate goal of aesthetic pleasure.
Why are strips of blue and red? Blue manifest his coolness and firmness of the glacier. It symbolizes stateliness and pride rugged mountains and eternal power of the primordial.Red is like a volcano eruption and radiates life, the fire that emanates heat and energy foundation of the world.Placed together are contrary to the existence and constitute the dynamics of the surface slike. Some sculptors as shamans paint their sculpture.That help them breathe more life so that way they come close to reality.
During the history of the development of modern art, the subject is out of the picture came to the surface in the form of relief. To time and completely separated from the image and turned into sculpture*********.I closed circle evolutionary process, so I returned to the subject in picture.But now enriched evolutionary level of development objects, in the form of reliefs and sculptures. **********This act is a form of picture received plus ultra of meaning, and turned into a unity of abstraction and figuration.Consequences of my actions are enormous.Put the item on the further course of the independence of objects from images and connecting the head and tail, closed full circle evolution of the same.
Why unity figuration and abstraction in painting? For something like that there are aesthetic and sociological reasons.Here we mentioned sociological, and on aesthetic grounds later.This is the era of universal value.In which is not uncommon for a person working in more occupations.Or buys tools for multiple use.Televizion who are at the same time and computers.Mobilne phones, besides voice and perform the function: clock, camera, video camera , navigator games and the like.Means that we live in a time of rationality and ekonomy.On such a situation in the society can not be art indifferent.Comunity must respond in this way, they will adopt the existing scale value.Which will inkomporate in their sections action.In interest of the community, as well as the broader social environment immediate reality.
Aesthetic reason-After the advent of abstraction in painting, starts and attempts by artists to unite figuration and abstraction, in a one visual form.

Striving for it is understandable, and can be interpreted in several ways: 1.Kao challenge that is put in front of the artist, to solve a problem that is very complex and at first glance hardly solvable,2.Justifiably desire to become interesting to all fans arts.Advocates one hand, and the other options mentioned expression in painting.3.Intent that in the ontological sense unite duality (figurative) and unity (abstraction), as well as two completely opposite way of conceiving images.4.Feeling a visual artist to marginalization artificial increasingly prominent in contemporary time.And to its ephemeral quality gives way to the following media who filled the space on the social scene.Such as are: film, television, internet.itd.Regularly in an attempt to make the unity of abstraction and figuration wrong.Because the aforementioned realization impossible. Because they’re always trying to unity ‘form’ figuration and apstraction.Each and attempts to make more and others with less success.. And that’s all. Creation is based only on the attempt, and the fact remains.Why artists make mistakes in their efforts to create the above mentioned parts? They miss doing that, because they deal with futile job.Which to me seems like an attempt alchemist, to make iron gold.Impossible are united is a form of abstraction with figuration form. Because they cancel each other.Unless the problem is approached from the other side, careful and deliberate choice of motifs***or creating new****, which contains the ability to create and express figuration and abstraction simultaneously.
Given that art has no practical value.And in the past hundred years, the strategy of reducing, led themselves in the ontological sense on the edge of their own exsistence.Because of that it must reassess its role in society.That it maintain credibility in relation to surroundings.On this way it will become a useful community where operates.Propose action plans for awakening social consciousness and its engagement alternately flows of civilization, through conceptual design Bosniak letter.
In addition, art is a continuation of the value chain through influence the following works.As Art continuty.Where the picture that someone made yesterday, reflects the image that was created today and the future tomorrow.Because if we accept the argument that art progresses, then the last creation in this series, the culmination of aesthetic endeavor.

continued …

* It does not mean that the court about what is and what is not art devaluing and cease to be by any measure of value works.Than just talking, that arbitration about it tailored to a particular course of life, and the spirit of the times in which the live.Where First lets part, that it exists as a factual facts in a defined area of ??cultural relevance.What would say in the context.That would then valued it as such in terms of the specific facts of cultural artifacts irrefutable reality.

** We have photo images of imaginary vision of abstract forms in three dimensions.Photo the document picture.While the image empty space where the painted illusion sculpture 1.Reality cleanroom is enhanced so that the background shape in white. What makes it somewhat neutral in relation to compozition.And the picture in this way document form .. Which is again projection id

Figustract or unity of figuration and abstraction in painting.Tempera painting.Size :100x70 cm.Price:US$497

Figustract or unity of figuration and abstraction in painting.Tempera painting.Size:100x70 cm.Price:US$497.

1.Los Angeles Centre For Digital Art 107 West Fifth street Los Angeles California 90013.Second annual Snap to Grid,The UN - Juried Show.September 8 - October1, year 2005.

2.Project? - din - a4 ,Malaga Spain.From 12 January till 26 January 2006 year.

3.Los Angeles Center For Digital Art 107 Fifth street Los Angeles California 90 013.Winners Show "Top 40" 2006 year.March 9, 7-9 pm.

4.Florean Museul ,PO box 1,of Postal 9,430510 Baia Mare Maramures Romania.I've lost Lilly's Pictures.Mail Art.Exhibition 2006 .From 27th May till 15th June 2006 year.


5.International Exhibit,M.I.A.D. Venado Tuerto 2006 - Santa Fe - Argentina.From 5th to 31 st July 2006 year.

Progression of prosperity.Created 2006.Acrylic on hardboard.Geometric abstract.Size:70x50cm
Price:3500$

Garden tiger (Arctia caja).Colasaic or unity of Colage and mosaic in painting.Butterfly of postage steps on paper.Size:50x70cm.Price:$390.

Gun as gun .French influence in Africa from Past times.Created 2006.Digital art.Size:100x70 cm
Price:390$

Description see on ekremfetic.Made 2005.Mixed media.Price 200$.

medium:Installation indoor.with:33 inches,height:44 inches,Theme:History about of 8000 victim in Srebrenica (town in Bosnia) for the war 1995 year.Made 2006 year.Price 2500 $
Material for installation:masonite,wood,steel and glas.