The Cowboy Way (2023) Drawing by Edwin Loftus

Pastel on Paper, 14x11 in
$1,275
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One of a kind
Artwork signed by the artist
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This artwork appears in 3 collections
  • Original Artwork (One Of A Kind) Drawing, Pastel on Paper
  • Dimensions Height 14in, Width 11in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Drawings under $5,000 Symbolism World Culture
I'm not a cowboy and never have been. But I have lived my whole life in and next door to places where cowboy culture dominates. I've been friends with cowboys and in love with cowgirls and I know the head end of a horse from its tail. The "cowboy way" is a real thing in America and though probably mostly found in those that[...]
I'm not a cowboy and never have been. But I have lived my whole life in and next door to places where cowboy culture dominates. I've been friends with cowboys and in love with cowgirls and I know the head end of a horse from its tail.
The "cowboy way" is a real thing in America and though probably mostly found in those that come from European ancestry, it is open and welcoming to anybody. A big part of it is that a man or woman is judged by the way they act, not the way they look.
It includes dressing in "Western Style", liking Western music, and feeling at home with Western square and line dance. But those are celebrations of the culture's roots more often than not. It extensively overlaps with "Country Culture" and between them they dominate about 80-90% of the United States territory, though not its population. The other big components (and growing) are "Mexican Culture" with a great deal of overlap, and "Tribal" or "Indian" cultures.
There's good and bad in every people, cowboys included. The Cowboy Way has little tolerance for "bad" but a sense of "good" that includes a whole lot of things that "City-folk" get all worked up about. It values self-reliance, live-and-let-live, trustworthiness and particularly honesty. And it values "straight-forwardness," we are what we are and we are the way we act. Anyone doing anything else isn't worth the spitting needed express your opinion of them. You can think a thing to death. But things mostly are what they appear to be.
How "real" is this today? Well ... It ain't the "Wild West" anymore. But a friend told me a story about how, in the 1960s, her Daddy took some of the hands with him and rode out tracking some rustlers that took six of his horses. After a week, he and the hands came back with the horses ... and the rustlers were never heard of again. When she asked what happened to them, her daddy told her not to ever talk about that again. Just don't mess with how a man feeds his family.
Yee-Haw!

In this image, an early 20th Century cowpoke has bumblefucked it good. Trying to turn a herd of longhorns, he's got hisself caught up in the herd and his horse is getting spooked. In a thick cloud of dust, he can scarcely see, or breath and he's lost his lariat and he doesn't know which way is out. To his benefit, the Cowboy Way includes "Cowboy Tough" which means he won't waste time worrying about what he did wrong and is all focused on how to stay alive and if he lives, he won't waste time thinking about how scared he should have been, there's still work to be done and cattle to be driven.

Related themes

CowboyLonghornsWesternCattleCowboy Way

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Edwin Loftus is an American painter and draftsman born in 1951. His interest in art began at the age of 4 when he decided to draw something real rather than working from his imagination.  As a child[...]

Edwin Loftus is an American painter and draftsman born in 1951. His interest in art began at the age of 4 when he decided to draw something real rather than working from his imagination. 

As a child he excelled at drawing and as a teenager he began to experiment with oil painting. In college, he took courses in art and art history and realized that true art had nothing to do with the quality of the drawing or painting, but that it had to have the ambition to push the boundaries and expand the visual experience. 

He also studied philosophy, psychology and history and quickly realized that it was just another art establishment trying to defend its elitist industry and reward system. Their skills were almost non-existent, they knew nothing about psychology, perception or stimulus response, and they were extensions of the belief system that made communism, fascism and other forms of totalitarianism such destructive forces in the world. They literally believe that art shouldn't be available to ordinary human beings, but only to an elite "sophisticated" enough to understand it. 

Edwin Loftus realized that the emperors of art had no clothes, but they were still the emperors. Gifted in art, he worked hard to acquire this skill. So he found other ways to make a living and sold a few artworks from time to time. For sixty years, many people enjoyed his works and some collected them. 

Today, Edwin Loftus is retired. Even if he sold all his paintings for the price he asked, "artist" would be the lowest paid job he ever had... but that's the way it is.  It won't matter to him after he dies. He just hopes that some people will like what he does enough to enjoy it in the future. 

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