Knockan Crag (2024) Painting by Donald Mcleman

Acrylic on Canvas, 8x10 in
$343.11
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Other rigid panel
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 8in, Width 10in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $500 Expressionism Landscape
Painting using acrylic paint on acid-free tissue paper. Tissue adhered to canvas panel with a layer of Golden soft gel medium. Knockan Crag is a national nature reserve north of Ullapool in Sutherland, Scotland. The rough language of the terrain is complemented by the loose brush style. The tissue imparts a soft atmospheric texture without[...]
Painting using acrylic paint on acid-free tissue paper. Tissue adhered to canvas panel with a layer of Golden soft gel medium.

Knockan Crag is a national nature reserve north of Ullapool in Sutherland, Scotland. The rough language of the terrain is complemented by the loose brush style. The tissue imparts a soft atmospheric texture without the imposed vigour of brushstrokes.

The picture has been created on a canvas panel treated to archival standards to preserve the work. The tissue paper has been coated on both sides with Golden soft gel medium and the picture given a final layer of protection with Golden UV matte varnish.

The picture wraps over the sides of the panel. The picture is the standard size 10 x 8". Signed on the reverse with description and title.

Related themes

Knockan CragScotlandYellowGreyTissue

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I am a mixed media artist born and raised in a small fishing village in the north of Scotland. I began as a professional photographer and ranged over other design roles in the real world and on the internet.[...]

I am a mixed media artist born and raised in a small fishing village in the north of Scotland. I began as a professional photographer and ranged over other design roles in the real world and on the internet. Now my time is filled with rough paper collages and expressive mark-making. These pictures open up naive explorations of unlikely compositions and fleeting reactions, worked out with instinct and emotional thrusts. My technique juggles unforeseen juxtapositions with broken fragments, the whole coming together to achieve a precarious but satisfying complexity. The question of balance is always present. The torn and faded materials reflect the passage of time alongside a view of an imperfect humanity.

My influences may not be apparent… I keep coming back to Cézanne and Matisse.

All these works are made to archival standards on sealed wood. The paper is coated on both sides with Golden soft gel medium to preserve the colours and protected with UV varnish.

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