Ne pas toucher (2019) Painting by Dominic Virtosu
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This image is available for download with a licence
Seller Dominic Virtosu
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Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 80.7in, Width 43.3in
- Framing This artwork is not framed
- Categories Paintings under $20,000 Expressionism
In a way, this composition acts almost as one of the vitrailles in the old European gothic churches: a pieta, a begging for merci, an image of damnation or salvation. The format of this work is suited to be included in any church as it is more tall than wide – giving it an almost surreal look. In a strange way, it can also be a reminder of the work of El Greco, with its elongated sanctified characters that reach for the redeeming and benevolent sky for pardon.
The agglomeration of characters, all on the ground like beggars for mercy, is reminding of the stark years of famine and deplorable poverty that has hit the world many times in the past. NE PAS TOUCHER thus becomes a warning sign, a way of holding back the curious from making and repeating the same mistakes of the past – it is a way of avoiding the repeat of history. Minute details in the way the faces of the characters are painted by Dominic Virtosu – like the re-circling of the eyes and the various colour dabs applied with almost gracious parcimony – speak of times of chrisis – times where the human condition is brought to a realisation of its own perniciousness and problematic existence.
The video shows the artist (Dominic Virtosu) starting from a painted drawing of the work. The work in iself was sketched based on a digital montage of fotos that the artist took of himself. A first layer of irony was thus implied, as the artist put himself in the situation of his characters: the artist as a subject of his own perdition.
The digital montage was then projected and became a massive drawing on the canvas. With powerful traits of paint and expressive gestures, Dominic Virtosu captures the essence of his characters and transfigures his persona into a collective unconscious masterwork.
Then, in a brutal gesture, the video shows the artist throwing terpentine on the freshly finished drawing. This causes the paint to thin and drip off the canvas, leaving behind a faded image of what once was. The first symbolic layer is an effacement, a deletion, it speaks of the passing of time and questions it’s own process by the ineffable distructive force that the artist induces in the work.
Each paint dab is either thin or thick, it is a duality of major proportions and creates a vibration onto the entire surface of the canvas. Literally dripping wet paint through all the layers makes them permeable to meaning and purposefulness.
Virtosu’s process starts with the application of a red-orange background and then goes on with drawing the figures on the canvas with dark blue and purple; then, the artist goes back and re-creates the sign „NE PAS TOUCHER” with spray paints and oil colors – thus implying a multiplicity of meaning to the process and inducing a feeling of illegality – like the spray-painter rapidly tagging a building and then running away.
Virtosu’s meticulous care for detail shows in his application of color on the painted surface: cominng back again and again and adding detail after detail, creating accents of color and contrasts makes the canvas vibrate powerfully.
The figures are distinguishable and clearly in distress, allthough we are not able to discern their individual personalities with ease. Their soul seems to be captured by the collective unconscious and their energy remains only as a shadow of what it once was. Therefore, NE PAS TOUCHER remains a work of great depth by Dominic Virtosu – showing the artists’ greatness and versatility in using color, context and great composition to bring symbolism to life in a powerful demonstration of contemporary mastery.
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Dominic-Petru Virtosu, born in Bucharest, Romania, in 1983, is a contemporary artist whose journey reflects a commitment to artistic excellence and a fusion of diverse influences. His formal artistic education commenced with a Bachelor's degree in painting in 2006, under the guidance of the renowned Romanian artist Florin Ciubotaru. He further honed his skills with a Master's degree in 2013, studying under Professor Catalin Balescu at the Bucharest National University of Arts. As part of his academic journey, Virtosu also spent a transformative semester as an Erasmus exchange student at the esteemed Hochschule fur Grafik und Buchkunst in Leipzig, where Professor Annette Schroter left an indelible mark on his understanding of style and color.
Despite a decade of employment in Romania's tourism and audio-visual industry, he continued to evolve as an artist. The works created between 2009 and 2013, during his tenure at the largest private television conglomerate in Romania, bear witness to his dedication to questioning societal norms and consumerist tendencies.
Post-2013, Virtosu's focus shifted towards reconciling the paradox between image representation and pure painting, a critical juncture in his artistic development. His distinctive style emerged from the synthesis of these two directions, resulting in an organic and vibrant blend where color and subject matter seamlessly converge, producing exceptionally powerful images. Each work becomes a unique journey, demanding its own technical solutions, as plein-air and fantastical works harmoniously unite under a unified stylistic approach.
Dominic-Petru Virtosu's French heritage has played a significant role in shaping his artistic sensibilities. His periodic sojourns to Paris during his formative years provided access to the city's most influential museums and exhibitions, sparking his curiosity and refining his artistic perspective. His French legacy and fluency in the language facilitated his enrollment at the Ecole des Beaux-Arts de Tourcoing in France, where he pursued art-teaching studies from 2017 to 2018. Subsequently, he transitioned into the role of a painting professor at the same institution, a position he continues to hold with distinction.
Virtosu's journey is characterized by a synthesis of diverse influences, disciplined craftsmanship, and an unwavering commitment to artistic exploration. His unique approach to merging representation and abstraction, coupled with a rich cultural heritage, positions him as a notable figure in the contemporary art landscape.
- Nationality: ROMANIA
- Date of birth : 1983
- Artistic domains:
- Groups: Romanian Contemporary Artists