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Volumes in Red (2019) Painting by David Berkel
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Sold by David Berkel
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Original Artwork (One Of A Kind)
Painting,
Tempera
on Canvas
- Dimensions Height 37.4in, Width 29.5in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $20,000 Geometric Architecture
At first, I wanted to paint a construction site on a small scale. Having changed my mind, I tried portraying ruins, derelict buildings, or just models of ruins. The next step was embedding them into another model of ruins. You might compare this kind of geometrical nesting with a Matryoshka. So, I ended up with nesting ruins of models in a model of ruins that is yet again just a presentation of a possible model. You know what I mean? Of course, you do ---------- knot!
foto credit: Nicolas Wefers
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What fascinates me about art is its quality to express your impressions into new worlds cascading out of your phantasy. They are all conceived as meaningful material. Already as a child, I loved drawing my own worlds like jungle-like peninsulas crowded with bizarre plants and animals, like those of little Hieronymos Bosch, maybe. Having discovered oil- and acrylic paintings as a teenager - thanks to my former tutor and mentor - I created my first paintings.
Because I wanted to dive deeper into the realms of impression and expression, I wanted to become an artist. Looking forward to sharing my results in public discourse and developing my aesthetic rhetoric, I enrolled in visual arts in 2007 at the University of Art and Design in Kassel. The Swiss artist Urs Lüthi became my teacher.
By 2009, I had been studying abroad in Bologna for half a year due to an Erasmus fellowship. Attending the Accademia di Belle Arti di Bologna, I discovered etching and sculptor as additional means for my artistic expression. My work with plaster and its material characteristics would significantly enhance my later paintings.
As I got a liking for a more arty and historical environment - after turning back to Kassel - I switched to the University of the Arts Berlin in October 2010, where I got in touch with the tempera technique I hooked on ever since. It combines fluidity and tenacity at the same time. Since then, an intriguing watercolor-like quality has characterized my large tempera paintings; the edges of my former, mire-like "jungles" are totally liquefied.
Having passed my examination as "Meisterschüler" in 2014, I kept on my newly discovered tempera-technique and my dreamlike land- and seasides. My works subconsciously hark back to early Chinese paintings such as Wan Ximeng. Several exhibitions followed from 2014 until 2016.
In 2017, I displayed my work in a derelict, listed building. This was one of my most striking solo shows, where I arranged my paintings, objects, and drawings in the almost dilapidated rooms of the building that had been working as a stage for me.
2019, I was granted a fellowship near Hamburg. The couple holding the foundation hit me while I was attending an art contest that I participated in. Working calmly in the rural side due to my fellowship, I enriched my vast repertoire with a new technique similar to the waterproof plaster surface used in Moroccan architecture. In other words, I resumed my earlier plaster works differently, mixing chalk, shale, and pigments with egg-tempera and applying them onto canvas. Producing a kind of stucco, I subtly lime the layers down - some areas stronger, others weaker. The result: paintings suggesting extreme deepness and temporality. You can compare my work with that of a lapidary.
- Nationality: GERMANY
- Date of birth : 1986
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary German Artists