Personnages et ombres en lumière inversée (2023) Painting by Daniel Mangin

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Sold by Daniel Mangin

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$130.28
$271.43
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Sold by Daniel Mangin

  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 9.5in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Conceptual Art Desert
La recherche ici consiste à inverser les zones claires et obscures, sans pour autant réaliser un négatif photographique (qui n'aurait pas d'intérêt). Le ciel est donc sombre et les personnages, au lieu d'apparaître comme des formes plus sombres devant un ciel clair, sont au contraire lumineux. Leurs ombres sont les complémentaires imparfaites[...]
La recherche ici consiste à inverser les zones claires et obscures, sans pour autant réaliser un négatif photographique (qui n'aurait pas d'intérêt). Le ciel est donc sombre et les personnages, au lieu d'apparaître comme des formes plus sombres devant un ciel clair, sont au contraire lumineux. Leurs ombres sont les complémentaires imparfaites des bleus ombreux des impressionnistes. Dans cette recherche chromatique, il n'est pas nécessaire de préciser davantage quels sont ces personnages. En revanche, il est pertinent de les sortir, par effet de matière, du fond constitué d'une accumulation de couches transparentes.

Related themes

InversePersonnageOmbre

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I always loved drawing and painting, but I really got into it only in 1985. Two years of classes at the Beaux-Arts workshops in Paris, frequenting museums and books to learn from the masters (how does he make[...]

I always loved drawing and painting, but I really got into it only in 1985. Two years of classes at the Beaux-Arts workshops in Paris, frequenting museums and books to learn from the masters (how does he make this rendering? Why did so-and-so choose this path?) and see what my contemporaries do (when they paint, otherwise it's the relevance of the subject that interests me). My favorite technique is oil on canvas, because of the richness of its rendering (the impasto, the transparencies, the slow drying, which allows you to repeat or increase the rendering). My subjects can be classic as well as contemporary, social as well as humorous, caustic, political, borderline, since I claim my total freedom to express what I want and which must come out of my mind.

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