Will everything be okay? (2020) Painting by Carmo Almeida

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Sold by Carmo Almeida

It is the most disturbing picture I have painted to date... Was painting during Covid-19, for the virtual exhibition "Time for thinking" of my good friend Risco What I see? The introspective dismay of the individual haunted by the nightmares of this society where he confines himself, and of this planet, where he[...]
It is the most disturbing picture I have painted to date...

Was painting during Covid-19, for the virtual exhibition "Time for thinking" of my good friend Risco

What I see? The introspective dismay of the individual haunted by the nightmares of this society where he confines himself, and of this planet, where he does not breathe.

Related themes

HumanidadeCovidCovid-19PlanetaPlastico

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Carmo Almeida is from Lisbon, with a degree in Mathematics Applied to Computing. With an intense professional life in Telecommunications companies, he has always drawn and painted, but it was in 2014[...]

Carmo Almeida is from Lisbon, with a degree in Mathematics Applied to Computing.

With an intense professional life in Telecommunications companies, he has always drawn and painted, but it was in 2014 that he seriously dedicated himself to painting.< /p>

He began his artistic training in 2014 at the Atelier Internacional de Belas Artes, where he took Acrylic, Oil and Watercolor courses.

Since then he has participated in several collective exhibitions and has been exhibiting since 2016 in commercial galleries in Lisbon.

In 2017 he held his first solo exhibitions in Lisbon and Porto.

In 2019 he founded Park.ARTE, a community of Artists from Parque das Nações with the objective of promoting and promoting Art in her parish.

She is passionate about Lisbon and Photography (landscape and street photography). He is inspired by his street photographs to create Stories about Lisbon and bring them to life in acrylic on canvas.

In addition, he has chosen themes linked to music, dance, emotions, nature and seeking to create strong sensations in the viewer of his works.

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