OLÉ OLÉ Big Bull (2020) Sculpture by Bernard Rives

Sold by Bernard Rives

Digital licensing

This image is available for download with a licence

$32.22
$128.89
$268.53
Max resolution: 2520 x 1860 px
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Sold by Bernard Rives

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Fit for outdoor
  • Original Artwork (One Of A Kind) Sculpture, Metals / Resin / Glass
  • Dimensions Height 106.3in, Width 82.7in / 45.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Fit for outdoor? Yes, This artwork can be displayed outdoor
  • Categories Sculptures from $20,000 Figurative Animal
Taureau marchant, tête levée, fier, appuyé sur une seul patte. Réalisé en fibre de verre et mousse polyuréthane. Peinture automobile candy rouge vin. Socle acier noir. About this artwork: Classification, Techniques & Styles
Taureau marchant, tête levée, fier, appuyé sur une seul patte.
Réalisé en fibre de verre et mousse polyuréthane.
Peinture automobile candy rouge vin. Socle acier noir.

Related themes

TaureauFierRougeCorridaMouvement

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Bernard Rives, a contemporary French sculptor, emerged as a profound voice in the artistic world, passionately advocating for the celebration of liberated femininity through his[...]

Bernard Rives, a contemporary French sculptor, emerged as a profound voice in the artistic world, passionately advocating for the celebration of liberated femininity through his sculptures. Born and raised in the picturesque landscapes of France, Rives' artistic journey took shape as he delved into the realms of visual expression.

His formal education commenced at the State Higher School of Photography in Cologne, Germany (Köln), where he honed his skills in capturing moments through the lens. However, it was his relocation to the vibrant city of Barcelona that marked a pivotal moment in his artistic evolution. There, he found himself immersed in the dynamic world of advertising, serving as a photographer for internationally acclaimed agencies.

Simultaneously, alongside his burgeoning career in photography, Rives began to explore sculpting, initially molding women's forms in plasticine. This spontaneous foray into sculpting soon evolved into a profound passion, leading him to translate his creations into the timeless mediums of clay and gouge-cut wood. His transition into sculpture was catalyzed by his receipt of the prestigious First Prize of the Paul Ricard Foundation, which served as both validation and inspiration for his artistic pursuits.

Driven by a profound admiration for the inherent freedom embodied by the human form, particularly the nude, Rives embarked on a quest to encapsulate the essence of emancipated femininity in his works. Contrary to historical norms where bodies were often shrouded in layers of fabric and subjected to societal and religious constraints, Rives' sculptures stand as a defiant tribute to the unbridled vitality of life itself. Through the delicate interplay of volumes and the graceful curvature of the female physique, his sculptures resonate with a palpable sense of emotion, transcending linguistic barriers to convey messages of humor, transgression, and protest.

For Rives, the essence of his art lies in his unwavering commitment to celebrating the inherent beauty and resilience of women. His exhibitions, spanning across Spain—his adopted home—France, and beyond, serve as poignant testaments to his artistic vision and unwavering dedication to his craft. Through his sculptures, Bernard Rives invites viewers to contemplate the timeless allure of the nude form and to reflect upon the enduring power of freedom, grace, and unabashed femininity.

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