La danse (2022) Painting by Bellule' Art

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  • Original Artwork (One Of A Kind) Painting, Acrylic / Pastel on Linen Canvas
  • Dimensions Height 26in, Width 39.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Abstract Abstract
"La danse" est une œuvre contemporaine, unique et originale, réalisée à la peinture acrylique et pastels gras. Tableau abstrait et symboliste coloré, ode à la liberté avec une représentation stylisée du symbole berbère qui est mis en scène, personnifié. Les symboles deviennent des êtres dansants, une foule en mouvement, rien n'est figé.[...]
"La danse" est une œuvre contemporaine, unique et originale, réalisée à la peinture acrylique et pastels gras. Tableau abstrait et symboliste coloré, ode à la liberté avec une représentation stylisée du symbole berbère qui est mis en scène, personnifié. Les symboles deviennent des êtres dansants, une foule en mouvement, rien n'est figé. La touche expressionniste vient souligner cette impression de mouvement dans l'œuvre. Composition en construction pyramidale pour un effet de profondeur. Plusieurs plans s'imbriquent dans l'œuvre, entre formes elliptiques et touches abstraites plus brutes. J'ai utilisé une gamme de couleurs majoritairement claires. Bien que la palette soit froide, l'œuvre ne l'est pas, un glacis rouge vient réchauffer les tons pastel, rehaussés par des blancs purs et noirs. J'ai également utilisé des couleurs bronze et or pour donner un effet brillant à certains endroits.
Les côtés de la toile sont peints dans la continuité du tableau. Un vernis brillant est appliqué sur la toile. Le système d'accroche est fourni.

Related themes

SymboleBèrbèrePeintureAcryliqueToile

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Born in 1989 to a painter mother and a musician father, Julie Fournier alias Bellule has always been immersed in an artistic universe and began to paint and draw at a very young age. In 2005, she decided[...]

Born in 1989 to a painter mother and a musician father, Julie Fournier alias Bellule has always been immersed in an artistic universe and began to paint and draw at a very young age.
In 2005, she decided to turn to a training in visual communication but served by a lack of contact with the material, she joined the School of Fine Arts in 2007.
After obtaining her diploma in 2011, she continued her training for three years in the studio of a hyperrealist painter, to then settle in her own studio.

Her influences are multiple, because for her, “painting is timeless and never ceases to change. #039;to be and to be reborn”. Bellule spends time immersing herself in the work of other artists, because according to her, the artistic material is constituted from the traces deposited in us by the works of others like a palimpsest.

< p>In his expressionist work, ranging from the figurative to the abstract, shines through an imaginative, sensitive and detail-oriented personality. Bellule draws her inspiration from inside and outside her. She likes to get lost in nature to fill her head with images and sensations that feed her imagination.

Constantly struck by the visual impact created by the material, the contrasts, the transparencies and the light, his current creations explore the expressive potential of the effects and movements created by mixing and superimposing colors and materials, the variation of touches such as drips and projections, smearing, sliding, with a brush, finger or knife, . ..
She mainly works in acrylic for its quick drying allowing her to superimpose the layers more quickly, but she often happens to add spray paint, pastel.

< p>She is in a permanent quest for the “magic” of painting, to make “living” works. The diversification of techniques and touches, the patient search for transparency and depth, the care for detail, the contrasts by confrontation of "color-light", "color-darkness". Any experimentation that can make the soul vibrate is good to take in the infinite variety of shapes and shades!

Bellule aims to "activate" internal vibrations, consciously or not, and make the spectator act on the moving magic of the painting. The work must transcend purely aesthetic beauty and go further than simple contemplation.

The important thing for it is to challenge, touch, upset the senses and generate internal vibrations by mixing strength and delicacy. The first impact at the sight of the work is essential, because it results from the direct instinctive emotional effects.



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