Veil-2018-travaux sur papier58x33 (2018) Drawing by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Other rigid panel
This artwork appears in 5 collections
Report d'images photographiques à l'encre pigmentaire et rehauts de dessins d'après "le printemps" de Botticelli (détail au crayon de Zéphyr et Flora, ainsi que la reprographie de "l'annonciation" de Lorenzetti et autres visuels sont issue de mes propres photos d'une série "drapée rouge". [...]
Report d'images photographiques à l'encre pigmentaire et rehauts de dessins d'après "le printemps" de Botticelli (détail au crayon de Zéphyr et Flora, ainsi que la reprographie de "l'annonciation" de Lorenzetti et autres visuels sont issue de mes propres photos d'une série "drapée rouge".
Cales au verso pour surélever le dessin à 1cm du fond du cadre (type caisse américaine faite par mes soins) avec un anneau d'accroche.

58x33cm (taille du dessin) 72x45cm dans le cadre

Cette série s'applique a lier différentes strates d'images, de natures et de propos différents, dans une composition que je qualifierai de "musicale" laissant une grande part à l'épure et au retrait du geste pictural...

(pour en savoir un peu plus :
rendez-vous sur le blog du site cf Propos sur la série de travaux sur papier 2018 1/3 et 2/3)

Baptiste Vanweydeveldt, octobre 2018

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Baptiste VanweydeveldtBaptiste.vwDessin ContemporainReport D'imagesArtiste A Caen

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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