La Muse (2020) Collages by Annabelle Amory
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Seller Annabelle Amory
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Original Artwork (One Of A Kind)
Collages,
Acrylic
/
Collages
on Canvas
- Dimensions Height 39.4in, Width 27.6in
- Framing This artwork is not framed
- Categories Collages under $5,000 Figurative Portrait
Disney n'aime pas les Muses. Il préfère les Princesses esseulées, taille 36 si possible. Un petit 36 même. En cherchant quel papier j'allais utiliser pour cette Muse aux courbes parfaites, je suis tombée sur mes albums Disney. J'ai cherché des personnages, disons-le, gros. Chez Disney, les gros sont méchants ou comiques. La peau de la Muse est alors recouverte de ces stéréotypes, dont on inonde les enfants depuis l'enfance. Les Princesses (Belle, Cendrillon) mettent de belles robes, elles ont de beaux cheveux longs et une taille fine. Et elles se trouvent facilement un mec riche. Et ouais. Les gros sont toujours ridicules : la Dame de Coeur et les jumeaux Tweedledum et Tweedledee d'Alice au Pays des Merveilles, Maurice, le père de Belle et Big Ben dans la Belle et la Bête, ainsi que le gros chat Lucifer (rien que le nom) et le roi, personnage ultra comique, dans Cendrillon. Heureusement, une lueur d'espoir apparaît dans les nouveaux longs métrages : dans la Reine des Neiges, Elsa est devenue Reine du Royaume (Maseltov!). Elle gouverne seule et ne cherche nullement à se caser. Sa soeur Anna est au début de l'histoire une caricature de la Princesse Disney : elle tombe amoureuse du premier Prince débile venu et souhaite se marier rapidement avec lui. Heureusement, elle va se rendre compte qu'elle se plante totalement.
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Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above all university studies to have, at the end, a "real" job.
So Annabelle obeys and climbs the ladder: degree in art history and archeology in Amiens, Master in Sciences of Antiquity in Lille, then, finally, the last stage: a doctorate in Greek archeology which she obtains in 2017. However, during her research, she did not stop painting and even exhibiting whenever she had the opportunity. At the end of her thesis defence, she informed her jury: no, she would not embark on research but would attempt an artistic career.
The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how to make our deep convictions coincide with the world around us? How can we assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the eyes of others, social networks, money or even success?
Eco-feminist and anti-conformist, Annabelle draws from her personal history these two-speed anxieties, torn between her deep convictions and the current norm. She then analyzes her own life course and delivers an almost autobiographical gallery on the canvas: if none of the characters really resemble her, they nevertheless evoke all her concerns, her conflicts, the people she has met as well as different moments of her life. life.
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Nationality:
FRANCE
- Date of birth : 1988
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
Annabelle Amory: Art allowed me to exteriorize this nonconformism
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