Anna Gaikovich

The website of the exhibition

ABOUT MY SOLO EXHIBITION 

I am inspired by the idea of reflecting the rapidly changing reality in my artwork. Consequently, I appreciate the blend of traditional art with modern technology, believing this amalgamation mirrors our current era of metamodernism. In my work, I often integrate painting with AI-generated collages, further enhancing them with elements of street art and references to global art. For me, it's paramount to consider the present context against the backdrop of established art, melding elements from diverse eras and traditions to craft something novel. 

My paintings consist of a fusion of traditional acrylic art, AI-collage elements, and elements of street art, such as markers and tags. When depicting figures and faces, I use the principle of deconstruction to emphasize that the goal of portraying a particular image isn't about replicating reality but about evoking emotions in the viewer and inviting them to a dialogue. One could say that the principle I employ on both a conceptual and practical level is best described by the word "collage." This is because I utilize forms, images, and references already familiar to the viewer, creating a "collage" mix that forms a cohesive whole. 

Additionally, the materials I use carry strong associations with certain movements and styles in art, for example, acrylics with painting, markers with street art, and collage elements with pop art. In doing so, I craft images that reflect our reality and reinterpret the artistic legacy. This approach to creation embodies my philosophy of harmonizing seemingly disparate elements. Such a method aligns with my perception of metamodernism – an era where everything feels pre-existing yet can be reimagined through the lens of art history and contemporary trends. I equate the essence of my work to collage, utilizing my expertise in academic drawing, AI, street art, and deconstruction. This amalgamation allows me to contemplate the past, present, and future simultaneously, coining my method 'Meta-Collage'.

My art isn't just a medium but also a message. I delve deep into societal issues, particularly the evolving roles and perceptions of women. While my early works revolved around globalization and abstract forms, I now marry abstraction with realism, spotlighting themes like societal beauty standards, gender stereotypes, and the multifaceted roles of women. Driven by a profound respect for traditional art forms, I acknowledge the profound impact of technological advancements on the art world. My narrative, a fusion of my innate curiosity and keen observations, offers insights into the sociocultural landscape. My artistry, enriched by a blend of classical and contemporary influences, transcends geographical or cultural confines. With my works showcased in group exhibitions across the US and Europe, I'm thrilled to share my vision with a broader audience. 

In summation, my artistry, a symphony of tradition and innovation, mirrors societal evolution. Through 'Meta-Collage,' I weave narratives, igniting dialogues and prompting reflections on the ever-evolving dance of life and art.

Analyzing my work and approach, it's evident that I am deeply influenced by the continuous shifts in the modern environment, often aiming to capture the essence of these transitions within my creations. I seek a harmonious integration of conventional techniques with advanced technological tools, which becomes more apparent when observing my fusion of acrylic art, AI-collage, and street art components. The consistent theme in my approach is the principle of "collage," as I draw from various known forms, images, and art references to design a composition that resonates with the viewer. This method, labeled 'Meta-Collage,' demonstrates a conscious effort to reflect and connect different time frames: the past, present, and the envisioned future.

One of the primary characteristics of my art is the emphasis on deconstruction. By breaking down familiar forms and reconstructing them, I challenge the viewer's perception, pushing them to engage emotionally and open a dialogue with the piece. This interaction becomes even more profound when one understands the materials I choose, each carrying specific historical and cultural references. For instance, my use of acrylics, markers, and collage components connect my pieces to particular art movements, offering an enriched contextual background for those who interact with my work.

The current era, metamodernism, plays a crucial role in my artistic vision. I view this period as a convergence of historical artistic elements and modern trends, giving me ample room to experiment and reimagine. Notably, societal concerns, especially those relating to women's roles and perceptions, feature prominently in my creations. This thematic shift from earlier works focusing on globalization to a more nuanced blend of realism and abstraction indicates my evolving perspective on societal dynamics. A notable point in my journey is my acknowledgment of the massive influence of technology on art. This recognition is not just in my adoption of AI elements but also in how I frame my narrative, intertwining my innate curiosity with observant insights about the current sociocultural environment. Despite employing a wide range of influences, I manage to create artworks that aren't limited by geographical or cultural boundaries. 

In conclusion, my work is a testament to my adaptability and keen understanding of the world around me. Through 'Meta-Collage,' I don't merely produce art but also encourage a deeper understanding and engagement with the ever-changing interface between life and artistic expression.

I am thrilled to announce that I have become a participant of the Superfine Art Fair in Los Angeles, presenting 3 female portraits. I am very excited to partake in such an event: the indescribable atmosphere, and wonderful artists and guests.