Octagonal Lidded Box with Kirikane Design: “Sprouting” (2015) Sculpture by Ai Imamura

Sculpture - Metals, 7.7x6.6 in
$21,167.05
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One of a kind
Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Sculpture, Metals / Wood on Other substrate
  • Dimensions Height 7.7in, Width 6.6in / 15.00 kg
  • Artwork's condition The artwork is in good condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures from $20,000
My mental image for this piece was that of the moment a plant sprouts. A small sprout in no time sends roots down into the earth so that the plant can gather the blessings of heaven and earth. As signs of spring appear, the spout blooms into a beautiful form that is fully of life. That is the image I wanted to create. 植物の芽吹きの瞬間をイメージしました。
My mental image for this piece was that of the moment a plant sprouts.
A small sprout in no time sends roots down into the earth so that the plant can gather the blessings of heaven and earth.
As signs of spring appear, the spout blooms into a beautiful form that is fully of life. That is the image I wanted to create.

植物の芽吹きの瞬間をイメージしました。
小さな芽がいつの間にか、地中深く根を張り、天と地の恵みを吸い上げ、春の兆しと共に一斉に芽吹く生命力にあふれる美しい姿を表しました。
Automatically translated
Artist represented by Kogei Art KYOTO
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Ai Imamura uses Japanese cedar that has been buried in the ground for a long time. She uses this precious material to make boxes, which she decorates with detailed patterns using gold and silver foil cut into[...]

Ai Imamura uses Japanese cedar that has been buried in the ground for a long time. She uses this precious material to make boxes, which she decorates with detailed patterns using gold and silver foil cut into pieces only a few millimeters in size, always trying to express the feeling of natural beauty.
Jindai cedar is an ancient cedar that was buried in the ground due to volcanic eruption or other reasons for 2,500 to 2,600 years. The beautiful natural color comes from components in the soil moving into the wood before the wood is exposed to the air.
I cut the lines used in the design, eyeballing the dimensions, using a bamboo knife, which I also make myself. I use from four to six sheets of gold and platinum foil that I fuse together using a charcoal fire. The number of sheets that I fuse together depends on the application. I cut each line individually. I position them holding a brush in each hand and use Nikawa glue to secure them in place.

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