Vendeur D.
Impressions "Fine-art" sur papier
Il s'agit d'un processus d'impression sur papier d'art utilisant des encres pigmentaires de très haute qualité et imprimé en très haute définition. Son niveau de conservation est exceptionnel (plus de 100 ans), sa qualité, sa profondeur et sa richesse de nuances dépassent celles de l'impression photo classique sur papier argentique.

Finition brilliante
Outre son épaisseur exceptionnelle, le papier fibre est composé d'une base d'alpha-cellulose sans acide et il est recouvert de sulfate de baryum, et d'une couche microporeuse améliorant l'absorption des pigments lors de l'impression. Arborant une couleur blanc pur, ne jaunissant pas à la lumière, ce papier est spécialement conçu pour être durable dans le temps. Il est utilisé par les principaux musées du monde entier car il offre une excellente résolution et un rendu de couleurs profondes et denses.
Impression d'art "Fine Art" - Finition brillante sur papier à base de fibres 325 g.

Nos impressions et reproductions haut de gamme
ArtMajeur n'utilise que des papiers naturels au pH neutre, résistants et de haute qualité, sélectionnés par des papetiers de renom!
Une attention constante est portée par notre maître imprimeur, que ce soit en terme de contrôle des couleurs ou de respect de la chaîne graphique. Notre exigence de qualité élevée est un atout majeur pour les tirages d'art encadrés ArtMajeur.
Pour les artistes! Vous aidez les artistes à vivre de leur travail. Leurs royalties leur sont reversées chaque fois que vous achetez leurs impressions.
A propos de nos impressions-
Œuvre d'art originale (One Of A Kind)
Peinture,
Huile
sur Toile
- Dimensions Hauteur 27,6in, Largeur 19,7in
- État de l'œuvre L'œuvre est en parfait état
- Encadrement Cette œuvre n'est pas encadrée
- Catégories Peintures à partir de 20 000 $US Expressionnisme Ville
SPADIUM
“Between two worlds…”
“Life is not the opposite of death. The opposite of death is birth. Life is holistic and eternal, it has no opposite.”
-Eckhart Tolle
Man who was born defenseless to this world, comprehended, interpreted, named and came to know his new environment as he discovered it. As he piled up its meanings and definitions, in time, he became equipped against external threats and built up cities to provide his security. Yet, the walls he built up between himself and the external world caused him to disconnect from his authentic nature.
As man adapted himself to this artificial environment that he himself created, he transformed into a mechanical being. Complicating his thoughts through his mind detached him from his intuitions and condemned him to lead a life full of anxiety, fear and desperation. He forgot that he has to face himself, in other words, he forgot that he has to face life. The fact that he could leave his comfort zone to face the unknown didn’t occur to him. Monotonous lives and personal stories all similar to one another killed diversity and transformed civilization into a vast cemetery. Man could not realize that as he was running after simple daily interests, he actually was destroying his own reality and he imprisoned himself into “city-coffins” difficult to come out of. As he didn’t know he was approaching his death, he couldn’t intent to be reborn.
In many mythological tales, the crow is the guide of souls which are stuck between two worlds, unaware of their death. The crow, through its wit and wisdom, reminds the man the necessity to recreate his own reality and builds a bridge between life and death. The walls of civilization that exclude the nature and the intuitions cannot impede it. The crow infiltrates the city, but is never tamed.
The man that confronts himself under the guidance of the crow would pass through an inner questioning about if he is living his life properly or not. This confrontation, reflection and meditation ground where Self is recalled and where life experiences are analyzed and conceived is called Spadium. The crow is the metaphorical guide of Spadium which is the state of consciousness between life and death and represents a holistic perception where its perspective is widened as consciousness improves.
The soul which is rehabilitated in Spadium will be able to reach the maturity sufficient to conceive his real existence, will be able to praise the degree of his gains and losses only when he will be able to look upon his life from above. Unless he changes his point of view, his only choice will be to lead his existence inside the coffin he himself created forever. Because in Spadium, there is no time.
Try to look down through a crow’s eyes; the story will shape up with all its clarity.
Thèmes connexes
Adnan Avni was born in Istanbul in 1962. He studied industrial design and various other subjects at Mimar Sinan University Faculty of Fine Arts. In close relations with the family-owned printing house, he grew a successful business in the advertising industry. In 1995, following his realization that the human way of life was shaped through fear and against human nature, he renounced the routines of his professional life and set out on a life more in contact with nature, away from the cities where humanity imprisoned itself in. Intrigued by his deep passion to experience the secrets of existence, he started on a journey of self-discovery with the intent to liberate his Self from the routines created by the collective consciousness and to attain his own specific definition of freedom. With the inspiration that comes through being in close contact with nature, he focused on his craft and his designs. He realized that the sketches he continuously drew in his notebook which he always carries around were the unconscious reflections of his intent towards life and started making paintings based on these sketches. Since 2015, he is living in the village of Mesudiye in Datça, Muğla in the southwestern district of Turkey with which he had forged strong bonds since his youth, where he observes the cities that gradually lose their ability to create a civilization from a distance and transmits his feelings and impressions through his works on canvas and on paper.
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Nationalité:
TURQUIE
- Date de naissance : date inconnue
- Domaines artistiques: Représenté par une galerie,
- Groupes: Artistes Contemporains Turques Artistes présentés par une galerie