Decay II (2018) Printmaking by Vera Almeida

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Artwork signed by the artist
Certificate of Authenticity included
Techniques: engraving, etching and chine-collé (Japanese paper dyed with artist-grade watercolour) on copper plate Size: plate 21 x 14,8 cm, paper 40 x 30 cm Hand-printed on white Fabriano Rosaspina 285 g/m2 Edition: 10 copies Signed and numbered on the front Some variation in colour and detail can occur, which makes each[...]
Techniques: engraving, etching and chine-collé (Japanese paper dyed with artist-grade watercolour) on copper plate
Size: plate 21 x 14,8 cm, paper 40 x 30 cm
Hand-printed on white Fabriano Rosaspina 285 g/m2
Edition: 10 copies
Signed and numbered on the front
Some variation in colour and detail can occur, which makes each print unique

Withered and dried flowers drawings represent the decline of life. I create compositions by enlarging and modelling shapes. The movement of the trace conveys the action in time. The red, powerful and invigorating colour, contrasts the theme of the series. Associated with the use of flat shapes and volume, achieved by the light and shadow drawing, it creates tensions that give strength to the final work.

Related themes

RedDecayFloralFlowerChine-Collé

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Graphic designer, artist and printmaker living and working in Lisbon. Nature inspires my work to explore shapes, dynamics, and meaning. Fascinated by the natural world, I focus on natural history[...]

Graphic designer, artist and printmaker living and working in Lisbon.

Nature inspires my work to explore shapes, dynamics, and meaning.
Fascinated by the natural world, I focus on natural history illustration, drawing and painting. I use traditional media such as graphite, coloured pencils, pen-and-ink, watercolour, and acrylics.

Currently, I am exploring the potentialities and challenges of printmaking, especially in intaglio processes (etching, aquatint and drypoint), to give voice to the creative potential of the medium.

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