© 2007 Stanley Mishkin
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Theatre (2007) Painting by Stanley Mishkin
Seller Stanley Mishkin
Certificate of Authenticity included
This artwork appears in 2 collections
-
Original Artwork
Painting,
Oil
on Wood
- Dimensions Height 24in, Width 35.8in
- Categories Figurative
Theatre (24x36ins oil on wood)
This is #1 in the series "City Seen: an unheralded look at development".
I created this painting in 2007. It is my interpretation of a B&W photograph I took in 1984 of the demolition of the Fairlawn Cinema in Toronto.
Searching through my old files one day I was drawn to the haphazard[...]
Theatre (24x36ins oil on wood)
This is #1 in the series "City Seen: an unheralded look at development".
I created this painting in 2007. It is my interpretation of a B&W photograph I took in 1984 of the demolition of the Fairlawn Cinema in Toronto.
Searching through my old files one day I was drawn to the haphazard shapes and textures of this building in the process of destruction. As a painter more 20 years later I used colour and design to transform the original from a harsh commentary in photo documentation to one of abstract aesethics.
The technique is a monochrome under painting superseded by several transparent glazes in the mid-dark and dark ranges followed by direct opaque application for the mid-tone and light ranges. The painting has many subtleties and lustrous quality and evokes a mysterious beauty to this forgotten structure.
This is #1 in the series "City Seen: an unheralded look at development".
I created this painting in 2007. It is my interpretation of a B&W photograph I took in 1984 of the demolition of the Fairlawn Cinema in Toronto.
Searching through my old files one day I was drawn to the haphazard shapes and textures of this building in the process of destruction. As a painter more 20 years later I used colour and design to transform the original from a harsh commentary in photo documentation to one of abstract aesethics.
The technique is a monochrome under painting superseded by several transparent glazes in the mid-dark and dark ranges followed by direct opaque application for the mid-tone and light ranges. The painting has many subtleties and lustrous quality and evokes a mysterious beauty to this forgotten structure.