Wooden Hut (1993) Fotoğraf Panna Jain tarafından

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$100,81
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  • Bu çalışma bir "Open Edition" dır. Fotoğraf, Giclée Yazdır / Dijital baskı
  • boyutlar Çeşitli boyutlarda
  • Birkaç destek mevcut (Güzel sanatlar baskı kağıdı, Metal baskı, Tuval Baskı)
  • Çerçeveleme Çerçeveleme mevcut (Yüzer Çerçeve + Cam Altı, Çerçeve + Akrilik Cam Altında)
  • Sanat eserinin durumu Eser mükemmel durumda
  • Kategoriler İzlenimcilik çocuk portreleri
I like to photograph mostly people in their typical and natural environment. I shot this picture of a little Kashmiri girl sitting at the entrance of her hut made of only wooden logs. Bu sanat hakkında: sınıflandırma, Teknikler & Stiller [...]
I like to photograph mostly people in their typical and natural environment. I shot this picture of a little Kashmiri girl sitting at the entrance of her hut made of only wooden logs.

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I was born in Rajasthan, the most colourful state in India. Growing up in such an environment had a significant impact on me and this has continued to reflect in my work. I studied painting and applied arts[...]

I was born in Rajasthan, the most colourful state in India. Growing up in such an environment had a significant impact on me and this has continued to reflect in my work. I studied painting and applied arts at one of the most prestigious art institutions in India. Thereafter, I went to the UK to specialise in visual communication at the London College of Graphic Art where I also studied advanced photography.


On returning back to Mumbai, India, where I currently reside, I worked in many different disciplines in the field of advertising and visual art. Prestigious photography assignments enabled me to travel extensively across the globe and on these various trips, where I got the opportunity to visit some of the most famous museums in the world. Here I could closely observe the different schools of painting with their diverse styles. I was deeply influenced by some of the masters of the modern and contemporary art movements.


The last few years, I have been extensively exploring digital technology. This has resulted in my working on a series of digital paintings. I often integrate multiple images to create a tech-forward composition that tells a story. I believe a painting is not only a painter’s name, signature or typical style; it is the creation of his observation, vision and skill. Also, it is not just a passive piece of decoration but like music and poetry, it should evoke emotions and invite the onlooker to sometimes participate in the process of decoding the painting. In the future, I plan to add dimensions like motion and sound to some of my paintings to make them more interactive.

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