Kussende treinstellen/ Kissing trains (1994) Printmaking by Mi-Jeanne Blansjaar

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Als twee treinen aan elkaar gekoppeld worden, denk ik altijd een fractie van een seoncen dat ze elkaar kussen. En dat heeft iets aandoenlijks al is dat natuurlijk maar een gedachte. Steendruk op geel papier. When two trains are linked together, a split second I see them kissing. There's something touching about that,[...]
Als twee treinen aan elkaar gekoppeld worden, denk ik altijd een fractie van een seoncen dat ze elkaar kussen. En dat heeft iets aandoenlijks al is dat natuurlijk maar een gedachte.

Steendruk op geel papier.

When two trains are linked together, a split second I see them kissing. There's something touching about that, even if it's just a figure of my imagination.

Stone print on yellow paper.

Related themes

TreinKussenGeelSteenfrukTrain

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Mi-Jeanne Blansjaar (1967) studied psychology, followed a part-time course Autonomous (sculpture and painting) at the HKU in Utrecht for a year, but eventually opted for the profession of television program[...]

Mi-Jeanne Blansjaar (1967) studied psychology, followed a part-time course Autonomous (sculpture and painting) at the HKU in Utrecht for a year, but eventually opted for the profession of television program maker (director/editor).

She couldn't let go of being physically creative. painting, sculpture (ceramics), goldsmithing, etc., but in the evenings.

In 2012 she started a creative coaching course and completed it in 2016.

Since 2020 she has happily devoted herself to screen printing.

“ Screen printing is a creative process in which I like to leave things to chance. You can make exactly the same prints with screen printing. I never make exactly the same images. I print unique backgrounds from multiple layers of ink. This creates a deepened fresco-like background, very often I find that background beautiful in itself. I then print an image on the background. I photograph these myself or I use old antique photos. I make different prints of such a photo, but always on a different background, so there is never a second of my screen prints that is almost the same'.

Mi-Jeanne reuses in screen printing her paper (to prevent waste) so the back of a work can simply have a rejected other work on it.

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