© 2021 Yulia Zhdanovich (MiliArt)
© 2021 Yulia Zhdanovich (MiliArt)
© 2021 Yulia Zhdanovich (MiliArt)
© 2021 Yulia Zhdanovich (MiliArt)
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The field before the storm (2021) Painting by Yulia Zhdanovich (MiliArt)
Acrylic on Canvas, 15.8x11.8 in
$410.78
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Yulia Zhdanovich (MiliArt)
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Wood Stretcher frame
This artwork appears in 9 collections
-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Canvas
- Dimensions Height 15.8in, Width 11.8in
- Framing This artwork is not framed
- Categories Paintings under $500 Impressionism Countryside
Perhaps you, in an effort to find a point of solitude, turn your gaze to postmodern folklore and stumble upon such an opus: Only at the edge of the forest, by the river, in the field, do you understand, you need to live not where money rustles, but where a hedgehog rustles.
So my vision of loud silence consists in moments of deserted nature,[...]
Perhaps you, in an effort to find a point of solitude, turn your gaze to postmodern folklore and stumble upon such an opus: Only at the edge of the forest, by the river, in the field, do you understand, you need to live not where money rustles, but where a hedgehog rustles.
So my vision of loud silence consists in moments of deserted nature, which tolerates civilization near itself. On Google maps, the coordinates of silence look like this: 51.87220593658234, 25.76068373655738. There, as if left behind in 1158, the lonely forgotten stacks of straw will bravely meet the rains and sweat, keeping warm inside themselves and spreading the steamy smell of phosgene. Dry, persistent, cut to the ground, the skeletons of the spikelets are gilded to the very strip of the horizon. And on the horizon, a thundercloud is already pouring in ink on the young writer’s desk. Peer, guess what is painting an instant gust of wind with an air brush on a tight canvas of the sky.
Let's go in detail: fingerpainting for the execution of an impending thunderstorm; and nylon flat brushes for painting haystacks and stubble. The optimal size and execution in a vertical format creates a swift zeal upward, capturing the viewer with it and not overloading it with details, giving an understanding of what the rest of the field, invisible to the viewer, looks like.
So my vision of loud silence consists in moments of deserted nature, which tolerates civilization near itself. On Google maps, the coordinates of silence look like this: 51.87220593658234, 25.76068373655738. There, as if left behind in 1158, the lonely forgotten stacks of straw will bravely meet the rains and sweat, keeping warm inside themselves and spreading the steamy smell of phosgene. Dry, persistent, cut to the ground, the skeletons of the spikelets are gilded to the very strip of the horizon. And on the horizon, a thundercloud is already pouring in ink on the young writer’s desk. Peer, guess what is painting an instant gust of wind with an air brush on a tight canvas of the sky.
Let's go in detail: fingerpainting for the execution of an impending thunderstorm; and nylon flat brushes for painting haystacks and stubble. The optimal size and execution in a vertical format creates a swift zeal upward, capturing the viewer with it and not overloading it with details, giving an understanding of what the rest of the field, invisible to the viewer, looks like.
Related themes
Blue PictureImpressionismField Before The StormNatureHaystacks
Impressionism
blue picture
impressionism
field before the storm
nature
haystacks
stubble
solitude
miliart
summer
yellow
sky
Yulia Zhdanovich, a contemporary Belarusian artist, embarked on her artistic journey with a passion for drawing that manifested as early as the second grade of her comprehensive[...]
Yulia Zhdanovich, a contemporary Belarusian artist, embarked on her artistic journey with a passion for drawing that manifested as early as the second grade of her comprehensive school. Her talent was further nurtured by her grandfather, who left behind sketches of people and natural landscapes filled with ink and pencil.
Continuing to cultivate her skills, Yulia pursued learning opportunities through webinars, online courses, and masterclasses offered by various artists. Alongside her studies, she explored new avenues for expression and income, eventually finding success painting portraits in the style of pop art on commission.
During her work on pop art portraits, Yulia began experimenting with mixing colors for the background, delving into the intricacies of color theory and shades. Starting with pairs of colors, she gradually progressed to explore the magic of the tricolor palette, expanding her artistic repertoire and honing her craft.
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Nationality:
BELARUS
- Date of birth : 1990
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Belarusian Artists
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