As Water Gives Rise To Rust (Veiled Surface, Iteration 10) (2018) Painting by Kristopher Lionel

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Christopher Brown. 'As Water Gives Rise To Rust (Veiled Surface, Iteration 10)'. 2018. Oil on Canvas Glued to Panel. 31 x 23.75 x 2 inches. The works in the series 'Veiled Surface (Iterations)' are offshoots from a series called 'Surfaces'. The first step in making my Iterations is to veil (cover) a piece[...]
Christopher Brown. 'As Water Gives Rise To Rust (Veiled Surface, Iteration 10)'. 2018. Oil on Canvas Glued to Panel. 31 x 23.75 x 2 inches.

The works in the series 'Veiled Surface (Iterations)' are offshoots from a series called 'Surfaces'. The first step in making my Iterations is to veil (cover) a piece from 'Surfaces' by laying the support on it. I then use charcoal, chalk, or pencil to make a rubbing that lifts an impression (sketch) from the surface in which the bas-relief cuts and textures underneath are transferred to the paper. This is the first glimpse through the veil. I build upon these sketches with oils, examining the limitless ways that mark, paint application, and color, affect composition, mood, and meaning within the pieces. Two works that demonstrate how different the Iterations can be are, 'Each Reign Spills Into The Sea (Veiled Surface, Iteration 5)', which conveys an impression of the sea and the motion of waves, and 'Ascending The Thermals (Veiled Surface Iteration 15)', which evokes a sense of hot moving air.

Revisiting similar initial compositions through these iterations is a practice of seeing the familiar anew, of interpreting the shrouded glances beneath the veil into clear expressions that are uniquely independent of other works in the series. While working on this series, I remembered a quote from William Blake's poem "Auguries of Innocence" that speaks to the repetitive aspect of working through these Iterations, of looking intently on the known to find variance: "To see a world in a grain of sand and a heaven in a wild flower, hold infinity in the palm of your hand and eternity in an hour." In this series, I've set myself to seeing through the veil both literally and figuratively. Looking upon the same thing over and again but always seeing something new is to pull back a veil that exists only in one's mind.

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AbstractAbstract ArtAbstract ArtworkAbstract PaintingOil On Canvas

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Christopher Brown is a contemporary American artist. Brown's worldview has been softly but substantially inspired by nature, and as a result, his life and art have been guided[...]

Christopher Brown is a contemporary American artist. Brown's worldview has been softly but substantially inspired by nature, and as a result, his life and art have been guided by it. His creative process alternates between gazing outward and turning inward. Years of seeing and analyzing the causes and effects of the natural world's changes and decline have given him a clear awareness of the damage we've done and continue to do to the planet. His art serves both an outlet and an antidote for him (shifting between his allegorical, Happy War paintings and his abstract works).

Turning inward and immersing himself in Abstract Expressionism provides him with comfort. Exploring shape, color, and the repetition of line in his work, as well as parsing the layers and visual spaces in his art, is a mantra that frees him from the weight of the world. He began to view his abstract paintings as "music for the eyes", in which shape, color, and line are solely expressionistic notes occasionally blended with representational pictures that appear to be poetic lyrics.

Christopher Brown was born in the USA. Brown attended the art program at Hartwick College in Oneonta, NY, where he received his BFA. He then went on to Washington University in St. Louis, MO, where he received his MFA.


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