Abiogenesis 5 (2022) Painting by Jérémy Jacquin

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Abiogenesis 5. Œuvre abstraite, encre de chine, pigments bruts, sur fond texturé à l'acrylique blanche, verni. Inspiré par différentes vues de notre galaxie, ces images on fait surgir des questions sur la multitude de conditions très particulières qu'il a faut réunir pour que la vie fasse son apparition à partir de matériaux[...]
Abiogenesis 5.
Œuvre abstraite, encre de chine, pigments bruts, sur fond texturé à l'acrylique blanche, verni.

Inspiré par différentes vues de notre galaxie, ces images on fait surgir des questions sur la multitude de conditions très particulières qu'il a faut réunir pour que la vie fasse son apparition à partir de matériaux inorganiques, le tout mis en parallèle avec l'inévitabilité de ces occurrences. Certaines persistent, d'autres disparaissent comme elles sont apparues, malgré tout l'univers continue sa mutation constante.

Related themes

AbiogenesisEncre De ChinePigmentSpaceEspace

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My first drawings took place in the margins of my college classes, made of confused and anarchic lines, some of them seemed to take common directions, forming inconsistent patterns, others ended up grotesque[...]

My first drawings took place in the margins of my college classes, made of confused and anarchic lines, some of them seemed to take common directions, forming inconsistent patterns, others ended up grotesque caricatures of my teachers. I was never worried when my works were discovered by the teachers because everything was so chaotic. I was even introduced to the work of Basquiat to encourage me. I was just asked not to exceed the margins, or to draw on loose sheets of paper.
Coming from a general curriculum, plastic arts option, I chronologically turned towards studying cinema, languages , food work, a diploma in cabinetmaking and work as a wood sculptor. I continued to fill my margins with drawings, overflowing with them more and more over time, making my notes more and more cryptic, the loose sheets ever more numerous.
Empirically, I I knew how to explore different techniques, different formats and develop a language that could be understood by the public without necessarily using words. I experience abstraction as the raw expression of feelings that are shared in the most direct way possible. It is the engine of introspection, crystallizes common feelings and makes the link between the world of ideas and material reality.
I always draw in the margins, but today they take up all the space. sheet.

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Ink on Canvas | 39.4x39.4 in
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Acrylic on Canvas | 39.4x39.4 in
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