O.M.N.I. - Objet Matériel Non Identifié. (2023) Photography by Jean-Thomas Bédard

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  • This work is an "Open Edition" Photography, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Abstract Colorful
O.M.N.I. - Objet Matériel Non Identifié est un objet mystérieux, soumis peut-être à l'apesanteur, un objet de curiosité ou de réflexion. Peut-être un objet de désir ou de contemplation ! Car il s'accroche là, dans la falaise, sans broncher, plissé comme une tête de rhinocéros préhistorique ou rugueux et miroitant comme la carapace de tortue[...]
O.M.N.I. - Objet Matériel Non Identifié est un objet mystérieux, soumis peut-être à l'apesanteur, un objet de curiosité ou de réflexion. Peut-être un objet de désir ou de contemplation ! Car il s'accroche là, dans la falaise, sans broncher, plissé comme une tête de rhinocéros préhistorique ou rugueux et miroitant comme la carapace de tortue géante se chauffant au soleil du littoral du fleuve Saint-Laurent. Image prise au Parc national du Bic, province de Québec, à l'aide d'in Canon M-50, en mai 2023.

Related themes

Le BicParc National Du BicPhotographie AbstraiteLittoral Du Saint-LaurentRocher Exceptionnel

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Jean-Thomas Bédard is a professional photographer from Lac-Saint-Jean, Quebec (Canada). Painter, filmmaker and photographer, he started drawing at the age of 12. At 20, he entered the École des Beaux-Arts[...]

Jean-Thomas Bédard is a professional photographer from Lac-Saint-Jean, Quebec (Canada). Painter, filmmaker and photographer, he started drawing at the age of 12. At 20, he entered the École des Beaux-Arts in Montreal, then the animation department of the National Film Board. He was responsible for directing animated films and documentaries for more than 30 years. His animated short L'âge de Chaise - Chairmen has won awards at several international festivals.

At 32, he embarked on a year-long trip around the world where he became very interested in photography. This led him to present in Montreal and Toronto an exhibition on traditional ways of life in Central America, the Pacific and Indonesia (York University). He has also exhibited his paintings in Montreal, Quebec and Vancouver at different locations.

In 1985-86, he became an animation trainer at the Centro technico e audiovisual in Rio de Janeiro, Brazil. Back in Quebec, he continued to make documentaries such as The Crossing of the Night, Father for Life, and The Unfinished Journey. In 2003, his career was put on hold.

Since 2011, he has been experimenting with the textures and colors of nature in photography to create pieces that sometimes resemble abstract art and sometimes a poetic universe. His favorite subject was the many facets of the St. Lawrence coast that could be seen when the tide was low.

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