La route sans fin (2021) Photography by Jean-Thomas Bédard

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Seller Jean-Thomas Bédard

  • This work is an "Open Edition" Photography, Giclée Print / Digital Print on Paper
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Photographs under $500 Figurative Landscape
''La route sans fin'' aurait pu aussi bien s'appeler Route 138 ou encore Point de fuite. C'est en effet cette route incroyable, quasi mythique tant sa construction a posé des défis colossaux, qui longe la Basse Côte-Nord, à l'est du Québec, et traverse d'immenses tourbières et des forêts d'épinettes noires.[...]
''La route sans fin'' aurait pu aussi bien s'appeler Route 138 ou encore Point de fuite. C'est en effet cette route incroyable, quasi mythique tant sa construction a posé des défis colossaux, qui longe la Basse Côte-Nord, à l'est du Québec, et traverse d'immenses tourbières et des forêts d'épinettes noires. C'est une route droite à l'infini dans un milieu inhospitalier, glacial en hiver et infesté de moustiques en été. C'est cette rudesse que j'ai voulu dépeindre dans cette composition photographique qui métamorphose la route 138 en une voie pavée de pierres.

Related themes

Paysage NordiquePhotographie ContemporainePaysage TransfiguréPhotographe QuébécoisVariable Geography

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Jean-Thomas Bédard is a professional photographer from Lac-Saint-Jean, Quebec (Canada). Painter, filmmaker and photographer, he started drawing at the age of 12. At 20, he entered the École des Beaux-Arts[...]

Jean-Thomas Bédard is a professional photographer from Lac-Saint-Jean, Quebec (Canada). Painter, filmmaker and photographer, he started drawing at the age of 12. At 20, he entered the École des Beaux-Arts in Montreal, then the animation department of the National Film Board. He was responsible for directing animated films and documentaries for more than 30 years. His animated short L'âge de Chaise - Chairmen has won awards at several international festivals.

At 32, he embarked on a year-long trip around the world where he became very interested in photography. This led him to present in Montreal and Toronto an exhibition on traditional ways of life in Central America, the Pacific and Indonesia (York University). He has also exhibited his paintings in Montreal, Quebec and Vancouver at different locations.

In 1985-86, he became an animation trainer at the Centro technico e audiovisual in Rio de Janeiro, Brazil. Back in Quebec, he continued to make documentaries such as The Crossing of the Night, Father for Life, and The Unfinished Journey. In 2003, his career was put on hold.

Since 2011, he has been experimenting with the textures and colors of nature in photography to create pieces that sometimes resemble abstract art and sometimes a poetic universe. His favorite subject was the many facets of the St. Lawrence coast that could be seen when the tide was low.

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