Statue (2020) Arte digitale da Johan Van Dreven (jovadre)

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Venditore Johan Van Dreven (jovadre)

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Venditore Johan Van Dreven (jovadre)

  • Quest'opera è una "Open Edition" Arte digitale, Schizzo / Stampa digitale su Plexiglass
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  • Categorie Arti digitali sotto i 1.000 USD Arte naif
Statue⁠ She was a lingerie model by trade. Nude? She doubt. You will become a statue, she thought that was funny and posed very relaxed.⁠ Digital paint and several other technics.⁠ Print on acryl 8mm, with suspension frame, unframed. Limited edtion. A4, A3, A2 togehter no more as 25 editions. Bigger[...]
Statue⁠
She was a lingerie model by trade.
Nude? She doubt.
You will become a statue, she thought that was funny and posed very relaxed.⁠
Digital paint and several other technics.⁠

Print on acryl 8mm, with suspension frame, unframed.
Limited edtion.
A4, A3, A2 togehter no more as 25 editions.
Bigger as A2 no more as 5 editions.
This one 80 x 60, edtion 1/5.

Temi correlati

StatueDigitallyDigital PaintNaive Art

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History. In my youth I did not get to know art. In high school I developed a talent for working with color and shape. At the end of my adolescence, I destroyed my work. Desperate for not understanding[...]

History.

In my youth I did not get to know art. In high school I developed a talent for working with color and shape. At the end of my adolescence, I destroyed my work. Desperate for not understanding my talent, I turned away from art.


After a  verylong road I started again.

Almost everyone thinks the female body is beautiful. Nude is often used sensually, provocatively.

My work shows that nude can be art, stripped of all sexual interpretations. I try to reinforce that with self-made backgrounds. I try to convey a message in my work by discovering the viewer for himself.

 After years of experimenting, I found my signature. The nude as a canvas, starts for a new creation.

I find inspiration in Naive art, Expressionism and Magic Realism.

Collaboration with models often takes several years. I prefer to work with dancers, gymnasts and acrobats, in recent years only naked.

I work very intuitively, I usually know the postures I want to capture. Only behind my PC / Photoshop does the creation take place. Usually a (slight) deformation of the posture first. Then looking for the color combinations. And finally creating a background.

This does not always work immediately, multiple edits are discarded.

I like to make backgrounds with different brushes. I also make extensive use of my archive. Coincidentally (???) I started photographing special backgrounds such as walls, murals, objects at an early age.

People are often asked how much time it takes to make a work. I don't know exactly. Do I have to include the photoshoot and the preliminary interview in terms of time? Sometimes I use an object several times as a background, each time edited in a different way.

There are many factual preliminary studies on Instagram. The experiments that led to the final result.

Exhibitions and art fairs:

Affordable Art Amsterdam, Brussels, Art Basel, London, Frankfurt and almost all Hilton hotels in Europe and Beijing, small museum Italy, participant atelier route Huizen.

 

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