" Madame Grogorille N°2 " - SÉRIE MME GROGORILLE (1993) Painting by Grégory Dreyfus

Digital Painting on Paper, 38.6x32.3 in
$5,267.97
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" Madame Grogorille N°2 " - Nu politique, male gaze, female gaze, Madame Rêve ...de la condition féminine ..."patri-archaïsme" Madame subit ...madame espère ...Les autres, ont seulement peur Shapes and Volumes - Here the nature of the works, symbolist and surrealist promotes _ this[...]
" Madame Grogorille N°2 " -

Nu politique,
male gaze,
female gaze,
Madame Rêve ...de la condition féminine ..."patri-archaïsme"
Madame subit ...madame espère ...Les autres, ont seulement peur

Shapes and Volumes - Here the nature of the works, symbolist and surrealist promotes _ this idea of ​​the 'feminine', in the criticism of the women' object of desire... whose appetizing attraction in the gaze of the hungry, stupid and wicked men, badly learned as well as badly educated, will have been, if not yet, of a crushing, as pressing and brutal as millennial weight for women.

The weight of a condition that if fused into his behavioral matrix, in humans...would be unthinkable for him to live...without a good dose of 'empathy morphine' shot directly into the bone marrow . - And again... it would be the idea without sublimation, accommodation without rectification, confusing because decidedly ferociously brutal for him, of the real of what they lived from a masculin behavior.

But that was before finally, we want to believe it... and we like this perspective, it was before today and fortunately, to be re-awakened socially, politically, historically, to this enhanced condition of women ...from past eras wishing him the 'better' in this current era ...because there are a lot ...to undo.

Nature is incredibly, phenomenally sharp, don't you think - besides being of unparalleled engineering and genius? - Oh human nature !

gregorydreyfus©2010

Related themes

Male GazeFemale GazeNu PolitiquePatriarchaismeDe La Condition Féminine

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Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was[...]

Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was to be gloriously balanced in art, by the action of one as by the action of the other. Dancer, mime, designer and singer were, however, his first living expressions.

After 4 years spent studying art and design at the JULIAN Academy and the school of graphic art and interior architecture, “Met de Penninghen” in Paris. And after having been the apprentice of one of the last great alchemists of oil painting. Or ambitious for having been approached, the Magnum photo agency in NY as photographer. ...Meeting masters, maintaining exchanges with great artists. Passionate about the History of ideas, self-knowledge... - A pronounced taste for Asia. But living in particular in London, Paris, NY and Taipei - He never stopped working to develop his creation, linking their very actions in all aspects.

Drawing, painting, playing, dancing, framing, installing... launching into transversal work, as an actor on all forms of theater stages as well as film sets - author, director - director... and visual artist. Thus nourishing each “act” of creation from one to the other, he jointly amplified this creativity.

...At the same time, he embraced the world and industries of advertising, music, theater and cinema at different levels of creativity and responsibility.

...Leading like a weaving, this multi-body work with a thread of happy subsistence, in a life of perpetual advancement. ...Linking very often, always developing, constantly projecting, in the transversal perspective, this long-term "movement".

Today, he leads all the battles head-on in the balance of an almost musical dialogue...And in short! ...To simply make a work.

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