" Dark Passenger " - Série TROMPETTE & GOMINA (1991/2021) (2013) Painting by Grégory Dreyfus

Acrylic on Linen Canvas, 13x11 in
$9,528.07
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Seller Grégory Dreyfus

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Cardboard
This artwork appears in 3 collections
" Dark Passenger " - ...fût librement initié, issu en 1991 d'une peinture seule de matière. Elle s'est construite sans fil rouge au gré du temps si ce n'était de rééquilibrer perpétuellement un ensemble ...autour du taureau qui se détachait alors. En 2013 un regard imprime cette toile sur carton, influant[...]
" Dark Passenger " -

...fût librement initié, issu en 1991 d'une peinture seule de matière. Elle s'est construite sans fil rouge au gré du temps si ce n'était de rééquilibrer perpétuellement un ensemble ...autour du taureau qui se détachait alors.
En 2013 un regard imprime cette toile sur carton, influant sans comprendre... l'apparition de cette jungle, marquée du portrait flippé d'un oeil, puis par la découpe d'un profil né(z) de l'agir du taureau, se ruant, contraint à sa pulsion... Un déséquilibre avant, une charge transperçante mais traversant aussi entre nos trois cerveaux... les rondes et les ronces des stress - "les tueurs silencieux".
Distendant nos lianes-cervelles pour lesquelles, nos modes de fonctionnements, nos structures mentales dans ces amas désorganisés ou ici, encombrés de nos vies insécures, répondaient à des déclencheurs narcissiques, "bulbes" rouges de nos besoins hypersensibles : de nous voir aimé, valorisé, reconnu, approuvé, accepté, réconforté... et des douleurs attenantes à notre balance émotionnelle déséquilibrée quand elles prennent le pouvoir ...pour s'y convoquer.
J'ai fini d'achever cette oeuvre début 2021 en vue d'une exposition cette année en Juin.


Commotions Portrait
Jungle : savage nature - The energy of an eye, of a mind, of an equilibrium, of a state of mind, of a spirit.
A bull
Lips of a duck
Narcisse
Brains and guts
Fontaine naturelle, marre et chute d'eau.
Le sort qui s'acharne. Ou ne pas apprendre des leçons suffisamment, pour anticiper les troubles du présent.
Un taureau qui se retiendrait de voir rouge.
La peur influente.
Cerveau limbique.
Stress etc

©GrégoryDreyfus1991/2013/2021

Related themes

Série Trompette & GominaDark PassengerCommotions PortraitsA Transversal French ArtistGrégory Dreyfus

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Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was[...]

Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was to be gloriously balanced in art, by the action of one as by the action of the other. Dancer, mime, designer and singer were, however, his first living expressions.

After 4 years spent studying art and design at the JULIAN Academy and the school of graphic art and interior architecture, “Met de Penninghen” in Paris. And after having been the apprentice of one of the last great alchemists of oil painting. Or ambitious for having been approached, the Magnum photo agency in NY as photographer. ...Meeting masters, maintaining exchanges with great artists. Passionate about the History of ideas, self-knowledge... - A pronounced taste for Asia. But living in particular in London, Paris, NY and Taipei - He never stopped working to develop his creation, linking their very actions in all aspects.

Drawing, painting, playing, dancing, framing, installing... launching into transversal work, as an actor on all forms of theater stages as well as film sets - author, director - director... and visual artist. Thus nourishing each “act” of creation from one to the other, he jointly amplified this creativity.

...At the same time, he embraced the world and industries of advertising, music, theater and cinema at different levels of creativity and responsibility.

...Leading like a weaving, this multi-body work with a thread of happy subsistence, in a life of perpetual advancement. ...Linking very often, always developing, constantly projecting, in the transversal perspective, this long-term "movement".

Today, he leads all the battles head-on in the balance of an almost musical dialogue...And in short! ...To simply make a work.

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