Garden-park sculpture "Goat-Nurse" (2010) Sculpture par Gennadi Boldyrev

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Vendu par Gennadi Boldyrev

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Vendu par Gennadi Boldyrev

  • Édition limitée (n°2/15) Sculpture, Bronze / Coulage sur Métal
  • Dimensions Hauteur 29,5in, Largeur 43,3in / 110.00 kg
  • État de l'œuvre L'oeuvre est en très bon état
  • Convient pour l'extérieur? Oui, Cette œuvre peut être exposée à l'extérieur
  • Catégories Sculptures à partir de 20 000 $US Figuratif Animal
Garden-park sculpture "Goat-Nurse", bronze. The goat, a lively, independent, and intelligent animal, symbolizes softness, tenderness, and sensitivity. However, despite this, it possesses a sense of dignity, doesn't shy away from obstacles, and can stand up for itself. Working on the image of the goat-nurse, I recalled my[...]
Garden-park sculpture "Goat-Nurse", bronze.

The goat, a lively, independent, and intelligent animal, symbolizes softness, tenderness, and sensitivity. However, despite this, it possesses a sense of dignity, doesn't shy away from obstacles, and can stand up for itself. Working on the image of the goat-nurse, I recalled my childhood spent with my grandmother in the village, rural life where people and domestic animals are closely connected and interdependent.

I intentionally emphasized the lack of monumentality and democracy - the best qualities of the new genre of urban sculpture, abandoned the pedestal, and used the lawn as a plinth. My sculpture is chamber, proportional to humans.
It will take about two months to make a sculpture in bronze.

Садово- парковая скульптура " Коза- кормилица", бронза.
Коза- шустрое , своенравное и сообразительное животное, символизирует мягкость, нежность и чувствительность. Однако, при всём этом она обладает чувством собственного достоинства, не пасует перед препятствиями и может постоять за себя.
Работая над образом козы - кормилицы я вспоминал свое детство , проведенное у бабушки в деревне, сельский быт, где люди и домашние животные находятся в тесной связи и взаимозависимости друг от друга.
Я намеренно подчеркнул отсутствие монументальности и демократизм- лучшие качества нового вида жанровой городской скульптуры,
отказался от постамента и в качестве плинта использовал газон. Моя скульптура камерная, соразмерная человеку.
Для изготовления скульптуры в бронзе потребуется примерно два месяца.

Thèmes connexes

Домашние ЖивотныеКозаАнималистикаЖивотноеПарковая Скульптура

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The sculpture is not photogenic: three-dimensional, turning into two-dimensional, loses the lion's share of expressiveness. But even in such a simplified state, the works of sculptor Gennady Boldyrev can[...]

The sculpture is not photogenic: three-dimensional, turning into two-dimensional, loses the lion's share of expressiveness. But even in such a simplified state, the works of sculptor Gennady Boldyrev can stand up for themselves. They don't need the art of photography because they are art themselves. Independent and, at the same time, closely related to the environment. His works do not argue with the interior or architecture. On the contrary, they confirm and emphasize what the architect intended, and sometimes they replenish what he wanted to make up for. Boldyrev easily reads other people's ideas without sacrificing his own, so he is good to work with. But not only for this reason. The sculptor, who graduated first from the Penza Art School and then from the Kharkov Art Institute, prefers metal, but works brilliantly with any material, from wood to stone. He equally respects the modern and the folk, but he does not accept clichés. His strength is nontrivial solutions to trivial issues, so he takes on things that others cannot do. And he succeeds. Gennady's portfolio includes complex objects for restoration and completely unique works, portraits of people and animal figures, furnishings and author's sculptures. He is certainly not a man of genre. But he is a man of quality, which cannot be achieved by mastery alone. He is an artist who turns everything he touches into art, both literally and figuratively. Modest, demanding of himself, condescending to others and not too voluble. His sculptures speak for him - in a complex language, nevertheless understandable to everyone, from the most unsophisticated buyer to the most erudite art historian. (Natalia Shustrova, art critic, editor-in-chief of the architectural portal “Forma”)

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