Le pont (2022) Photography by Gaspard De Gouges

Photography, 19.7x19.7 in
$643.41
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This photo is available in 20x20, 30x30, 40x40, 50x50, 70x70cm format, price on request. Cette photo est disponible en format 20x20, 30x30, 40x40, 50x50, 70x70cm prix sur demande. Cette photo a été primée comme meilleure photo de la semaine par le magazine grec photonetmagazine. L'image est tout à fait étrange, presque surréaliste.[...]
This photo is available in 20x20, 30x30, 40x40, 50x50, 70x70cm format, price on request.
Cette photo est disponible en format 20x20, 30x30, 40x40, 50x50, 70x70cm prix sur demande.
Cette photo a été primée comme meilleure photo de la semaine par le magazine grec photonetmagazine.
L'image est tout à fait étrange, presque surréaliste. Dans un paysage marin de type méditerranéen, on peut voir qui encadrent la mer si bleue, deux rivages qui pourraient être des îles. De couleur rouge, comme celle des collines de l'Estérel, les roches offrent un contraste de couleur intéressant avec le bleu immaculé de l'eau. Des ruines surplombent les deux falaises réunies, liées par un double pont métallique, une sorte de structure étrange, massive et rouillée, qui isole une partie du ciel et des nuages. Ce pont semble avoir pris appui, presque de manière organique sur l'un des bâtiments. Cette photo mise en scène a été réalisée à partir de maquettes et d'un morceau de métal trouvé sur la plage. La photographie est originale, elle interroge et dérange grâce à son côté réaliste.
This photo was awarded as best photo of the week by the Greek magazine photonetmagazine.
The image is quite strange, almost surreal. In a Mediterranean-type seascape, we can see that frame the sea so blue, two shores that could be islands. Red in color, like that of the Estérel hills, the rocks offer an interesting color contrast with the immaculate blue of the water. Ruins overlook the two cliffs joined together, linked by a double metal bridge, a sort of strange, massive and rusty structure, which isolates part of the sky and the clouds. This bridge seems to have leaned, almost organically, on one of the buildings. This staged photo was made from models and a piece of metal found on the beach. The photography is original, it questions and disturbs thanks to its realistic side.Questa foto è stata premiata come migliore foto della settimana dalla rivista greca photonetmagazine.L'immagine è piuttosto strana, quasi surreale. In un paesaggio marino di tipo mediterraneo, possiamo vedere che incorniciano il mare così blu, due sponde che potrebbero essere isole. Di colore rosso, come quello delle colline dell'Estérel, le rocce offrono un interessante contrasto cromatico con l'azzurro immacolato dell'acqua. Le rovine si affacciano sulle due scogliere unite tra loro, collegate da un doppio ponte metallico, una sorta di strana struttura massiccia e arrugginita, che isola parte del cielo e le nuvole. Questo ponte sembra essersi appoggiato, quasi organicamente, su uno degli edifici. Questa foto in scena è stata realizzata con modelli e un pezzo di metallo trovato sulla spiaggia. La fotografia è originale, interroga e disturba grazie al suo lato realistico.

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PontIréélSurnaturelÉtrangeArc

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Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint[...]

Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint large format figurative canvases, group portraits. Since 2021 he has devoted himself to photography, which has become a game for him, a kind of motionless journey.

"I started photographing scenes when I was 10 years old, with very realistic toys and models that I built with stalks of dry grass, miniature vehicles. For a long time I wanted to photograph islands, to their dreamlike power, I love to travel there and their memory persists. Their existence plunges us into an elsewhere. I imagined them tropical, but it is on mineral and Mediterranean islands that I finally decided to evoke. My approach is to create stagings, artificial but plausible, realistic landscapes. I create imaginary worlds, sometimes containing ruins, at least rocks that sometimes make me think of fortresses. These landscapes surprise me and always give me a lot of pleasure to create. "

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