Bet Chair in African Walnut (2021) Scultura da Gabriel Bass

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Venduto da Gabriel Bass

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32,39 USD
129,83 USD
270,82 USD
Risoluzione massima: 3840 x 3348 px
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Venduto da Gabriel Bass

  • Opera d'arte originale (One Of A Kind) Scultura, Legno su Legno
  • Dimensioni Altezza 66,9in, Larghezza 59,1in / 20.00 kg
  • Condizioni dell'opera d'arte L'opera d'arte è in perfette condizioni
  • Adatto per l'esterno? Sì, Questa opera d'arte può essere visualizzata all'aperto
  • Categorie Arte spirituale Esoterismo
The Mishkan and the Temple in Jerusalem are referred to as Bait throughout Jewish text. This is a sanctuary that man has to build for Hashem to rest as the sechina in the world. Every physical thing that God created in the Universe should be considered a temple. The Hebrew letter Bet represents the house (bait). This is the external, physical[...]
The Mishkan and the Temple in Jerusalem are referred to as Bait throughout Jewish text. This is a sanctuary that man has to build for Hashem to rest as the sechina in the world. Every physical thing that God created in the Universe should be considered a temple.
The Hebrew letter Bet represents the house (bait). This is the external, physical world. The accent dot in the middle is the soul (nefesh). This sculptural chair encompasses the individual in the caress of the physical world, the bet itself.

Temi correlati

HebrewKabbalahSculptural FurnitureWood SculptureJudaica

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Gabriel’s work can be found in private collections, synagogues, institutions, and museums throughout the world. His unique design and production process is heavily rooted in an exploration of flow and Kabbalah.[...]

Gabriel’s work can be found in private collections, synagogues, institutions, and museums throughout the world. His unique design and production process is heavily rooted in an exploration of flow and Kabbalah.  

Originally from the Pacific/Northwest, Gabriel lived on the Musqueam Reserve where he met totem pole carvers who offered to teach him their craft, particularly master carver Richard Campbell. Gabriel continues to employ many of these same techniques and tools in his work today.  After leaving the reservation Gabriel journeyed to develop a deeper relationship with his native Jewish roots. He continued to employ the tools and techniques learned from the totem pole carvers into Jewish ceremonial art. The entire human race is obligated to create tribal ceremonial arts to preserve their stories, history, and culture into future generations.

While in Vancouver, Gabriel met native Israeli carpenter Gavriel Bar-Lev, who gave him a job in general carpentry while he continued to visit Richard on the reserve. Gabriel slowly built his portfolio of both Jewish and Native Northwest style artwork. He was quickly accepted into some of the most prestigious art shows across the United States.

In 2001, Gabriel got married to Gabriella in Seattle. They rented an old carpentry studio and toured the USA selling carvings and furniture out of a semi-truck. The next year they made aliyah to Israel. Gabriel took the transitional opportunity to study design and glass blowing at the Bezalel Academy for Art in Jerusalem.

In the hills south of Jerusalem, Gabriel started both his furniture making business, known as Bass Furniture, and the education wing, known as The Jewish Artist Center. Gabriel continues to put the finishing touches on all work produced by Bass Furniture while managing the businesses, giving tours, and teaching workshops. All furniture, lighting, and artwork are currently produced in Katzrin, Golan Heights by a small team of some of the most talented craftsmen in Israel.

Gabriel has always been a participant of outdoor flow sports. In Israel, Gabriel fell in love with paragliding. He also works in the winter with the ski patrol at Mount Hermon. He gains inspiration from natural form and ancient Kabbalistic texts. His artwork breaths new life into scraps, otherwise discarded from building holy vessels.

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