The Old Man and the Sea (2024) Painting by Erkan Cerit

Paper maché on Wood, 13.8x10.2 in
$2,047
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Sold by Erkan Cerit
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Sold by Erkan Cerit

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Yaşam mücadelemizin tüm renkleri anılarımızda saklı. Geri kalan her şey zifiri karanlık... "Yaşlı Adam ve Deniz", denizin ortasında küçücük bir sandalında oturan yaşlı bir adamı tasvir ediyor. Adam, bir balıkçı ve tek başına denize açılmış. Etrafında uçsuz bucaksız deniz ve gökyüzü dışında hiçbir şey yok. Yorgunluk ve kararlı...
Yaşam mücadelemizin tüm renkleri anılarımızda saklı. Geri kalan her şey zifiri karanlık...

"Yaşlı Adam ve Deniz", denizin ortasında küçücük bir sandalında oturan yaşlı bir adamı tasvir ediyor. Adam, bir balıkçı ve tek başına denize açılmış. Etrafında uçsuz bucaksız deniz ve gökyüzü dışında hiçbir şey yok. Yorgunluk ve kararlı...
Resim, dikey formatta ve üçte bir kuralına göre kompose edildi. Yaşlı adam, resmin odağında yer alıyor. Sandal ve deniz ufku ise adamın etrafında simetrik bir şekilde yerleştirilmiş. Bu kompozisyon, adamın denizin enginliği karşısındaki yalnızlığını ve küçüklüğünü vurguluyor.
Resim genel olarak soğuk ve kasvetli tonlarda boyanmış. Hakim renkler gri, mavi ve kahverengi. Bu renkler, denizin ve gökyüzünün genişliğini ve derinliğini vurguluyor. Adamın yüzü ve elleri ise daha sıcak tonlarda boyanmış. Bu da adamın canlılığını ve umudunu simgeliyor.
Resimdeki yaşlı adam, yaşam mücadelesini ve insanın doğa karşısındaki yalnızlığını sembolize ediyor. Küçük sandal ise insanın kırılganlığını ve doğanın gücü karşısındaki acizliğini temsil ediyor. Uçsuz bucaksız deniz ise sonsuzluğu ve bilinmeyene duyulan korkuyu simgeliyor.
"Yaşlı Adam ve Deniz" resmi, Ernest Hemingway'in aynı adlı romanından esinlendi. Roman, yaşlı bir balıkçının dev bir marlin ile olan mücadelesini anlatır. Resim de bu mücadeleyi sembolize ediyor.

Related themes

BoatFishermanPaperFiberStorm

Automatically translated
Abstract Boat Fisherman Paper Fiber Storm Sea Blacksea Hat Man Black Struggle
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Erkan Cerit Portrait
Erkan Cerit
Türkiye
I have produced visual effects for national and international cinema and television productions for nearly 30 years. Over the years, I was very happy and encouraged to feel that the realistic or surreal designs[...]

I have produced visual effects for national and international cinema and television productions for nearly 30 years. Over the years, I was very happy and encouraged to feel that the realistic or surreal designs I created for the magical world of cinema were approaching artistic elegance.
In 2010, Turkey's first and still only true stereoscopic 3D cinema film, " Hell 3D" I worked as the stereoscopic 3D director and visual effects supervisor of the feature film. With this experience; I wanted people who have two eyes and have seen 3D throughout their lives to be able to experience this comfort in artistic works. I have been continuing my work on the subject of 2.5 dimensions since 2010. It would be possible to summarize the concept of 2.5 dimensions as an effort to add depth to two-dimensional artistic designs or to fit the three-dimensional universe into a frame... 
My experiences in image creation and imaging techniques; I try to reflect this in my photography, painting, digital painting and 2.5 dimensional sculpture works.

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