Gorée, la porte sans retour (2019) Painting by Diane Medus

Oil on Wood, 26.8x28.7 in
$1,058.8   $773.23
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One of a kind
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Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Painting, Oil on Wood
  • Dimensions Height 26.8in, Width 28.7in
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Figurative
Gorée, the door with no backway Gorée, la porte sans retour La porte est celle de l'esclaverie de la signare Cathy Louet, transformée en musée , mais la vue ne correspond pas car, dans ce rectangle bleu, j'ai inséré la vue d'une partie de l'île qu'on aperçoit pas de cette porte, car elle ne donne que sur l'Atlantique.
Gorée, the door with no backway
Gorée, la porte sans retour
La porte est celle de l'esclaverie de la signare Cathy Louet, transformée en musée , mais la vue ne correspond pas car, dans ce rectangle bleu, j'ai inséré la vue d'une partie de l'île qu'on aperçoit pas de cette porte, car elle ne donne que sur l'Atlantique.
J'ai voulu évoquer Gorée et l'esclavage mais sans sensiblerie et sans anecdote. Pour moi cet endroit est un lieu de mémoire, pas une île exotique.

Related themes

GoréeAfriqueAfricaEsclavageSlavery

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Grown up between Perpignan, Aix-en-Provence in France and Dakar in Senegal, I exhibited for the first time and organized the event in autumn 1988 at the Maison d'Italie, in the Cité Internationale in Paris,[...]

Grown up between Perpignan, Aix-en-Provence in France and Dakar in Senegal, I exhibited for the first time and organized the event in autumn 1988 at the Maison d'Italie, in the Cité Internationale in Paris, the Atelier Amor in the House of Italy.
Then while studying, as well as after my studies, I participated in group exhibitions (APSOM, Caribbean Tree, Aigle de Nice, Nice Côte d'Azur Airport Business Center). I thus participated in and organized about thirty exhibitions, in Paris and in the Paris region, in Toulouse, in Switzerland, in Nice.
I currently live and work in Nice focusing my gaze on questions of light, line and color, shapes and techniques.
My particularity: my work is protean, because constantly seeking, I constantly evolve. How do I recognize myself? The intensity of the colours, the attention to light and the occasional unexpected touch of humour. I live with my brush, my pencil or my pen in my hand.

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