eh oui, elle aussi à son érotisme (2024) Digital Arts by Daniel Moline

Digital Arts, 23.6x23.6 in
$795.78
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“Haruka sourit avec une gaieté irrésistible à l’air du temps, à son voisin de palier, à sa voisine du dessus, au petit vieux du rez-de-chaussée, à son vis-à-vis qui mate par la fenêtre, espérant un soir la revoir nue, il y croit, elle le laisse y croire, lui dévoile ses seins devant la fenêtre, l’appâte jusqu’à la bave, puis s’évapore, elle sourit[...]
“Haruka sourit avec une gaieté irrésistible à l’air du temps, à son voisin de palier, à sa voisine du dessus, au petit vieux du rez-de-chaussée, à son vis-à-vis qui mate par la fenêtre, espérant un soir la revoir nue, il y croit, elle le laisse y croire, lui dévoile ses seins devant la fenêtre, l’appâte jusqu’à la bave, puis s’évapore, elle sourit rien que d’y penser, de penser à sa tête déconfite, elle en rit, peut-être qu’il s’appelle Louis ou Charles, faudrait qu’elle aille y voir, lui écrive un message, laisse une trace de rouge sur sa boite aux lettres, baiser visible de tous ; pour le faire rougir jusqu’à la pointe, pour le faire oser traverser ; Haruka y pensera un jour, y pensera une nuit, nue sous ses draps, une main entre ses cuisses ; mais ce n’est pas à lui qu’elle pensera en rêvant d’un peu de caresse douce, non, elle pensera à un autre qui reviendra, mais quand ?”

(extrait de “jeux interdits”, 2023)

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GaietéVoisinFenêtre

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Daniel Moline is a contemporary Belgian painter. Moline is a painter of large compositions, with imposing figures in a strongly graphic style, from which energy, vitality and a[...]

Daniel Moline is a contemporary Belgian painter. Moline is a painter of large compositions, with imposing figures in a strongly graphic style, from which energy, vitality and a certain violence emerge. Expressing both tenderness and cruelty, their violence is always accompanied by a discrete tenderness and benevolence as restraint towards life. There are common features with the calligraphy of Zen monks and the work of the Japanese painter Shôhaku.

Since 1990, he’s been working on large abstract compositions in black ink on white backgrounds, "Gutta", sets of stains and various traces from which the observer will construct the meaning that suits him or that pleases him. He is currently working (since 2010) on large portraits in amber on black backgrounds, distressed memories of Japan or dark creatures encountered after his return to Belgium.

Daniel Moline was born in 1948, in Belgium. He participated in various exhibitions nationally and in Japan, where he spent sixteen years.


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