The Future Memories of a Ghost Town (2017) Scultura da Catalin Domniteanu

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Venduto da Catalin Domniteanu

Lavoro singolo
Opera firmata dall'artista
Certificato di autenticità incluso
Quest'opera d'arte appare in 3 collezioni
  • Opera d'arte originale (One Of A Kind) Scultura, Vetro / Metalli su Vetro
  • Dimensioni Altezza 48,8in, Larghezza 33,9in / 25.00 kg
  • Incorniciatura Questa opera d'arte non è incorniciata
  • Adatto per l'esterno? No, Questa opera d'arte non può essere visualizzata all'aperto
  • Categorie Sculture a partire da 20.000 USD Surrealismo Urbano
"The Future Memories of a Ghost Town" explores the fragility of a community built around a single, dominant industry, now succumbing to the challenges of the paradigm shift in the world's economics. A proposito di quest'opera: Classificazione,[...]
"The Future Memories of a Ghost Town" explores the fragility of a community built around a single, dominant industry, now succumbing to the challenges of the paradigm shift in the world's economics.

Temi correlati

Contemporary ArtModern ArtDowntownTurmoilMetropolis

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I propound my allegorical sculptures to art lovers who cherish classy, yet modern poise in their spaces - for the eye, for the prize, and for the memory. Having already accepted that change is the only consistency,[...]

I propound my allegorical sculptures to art lovers who cherish classy, yet modern poise in their spaces - for the eye, for the prize, and for the memory. Having already accepted that change is the only consistency, it must be my reaction to the relativism of our times for why the subjects of my works converge towards the fundamental laws of nature. Time itself became essential in my artistic toolbox for it connects epochs and matters.

These works emerged from stained glass, from which I borrowed the energy of the sunlight passing through colored transparences or bouncing off of textured surfaces. The flexibility of the Tiffany method, combined with consolidated structure allows me to achieve large panels with sophisticated patterns without unsightly structural fragmentation.

The bas-reliefs veered towards three-dimensionality by inserting volumetric components, adding floating layers, and textured soldering. My creations engage lightly in spatial extensions by virtue of able distinction between the structural and the decorative components.

The play of light reflecting on glass's volumes opens up a new aesthetic expressiveness.

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