Champ Inde (2022) Painting by Brigitte Tabellion Neuve-Eglise (enerenroad)

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Seller Brigitte Tabellion Neuve-Eglise (enerenroad)

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Artists get paid their royalties for each sales

Seller Brigitte Tabellion Neuve-Eglise (enerenroad)

  • Original Artwork (One Of A Kind) Painting, Pastel on Paper
  • Dimensions Height 8.3in, Width 12.2in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $500 Fauvism Countryside
Paysage d’Inde, Rajastan champ de colza en décembre Réalisé sur papier noir 120g à la craie Conté et Pastels Rembrandt Style académique dans la composition , choix de couleurs pures, à peine mélangées pour la perspective atmosphérique Fait partie d’une série de quatre paysages de même format
Paysage d’Inde, Rajastan champ de colza en décembre
Réalisé sur papier noir 120g à la craie Conté et Pastels Rembrandt
Style académique dans la composition , choix de couleurs pures, à peine mélangées pour la perspective atmosphérique
Fait partie d’une série de quatre paysages de même format

Related themes

PastelIndePaysageHiver

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Brigitte Tabellion followed the Beaux-Arts course in Nancy, her parents having encouraged her to study midwifery, she worked for 2 years in Paris. Then she spent 10 years in Africa and gave drawing and painting[...]

Brigitte Tabellion followed the Beaux-Arts course in Nancy, her parents having encouraged her to study midwifery, she worked for 2 years in Paris. Then she spent 10 years in Africa and gave drawing and painting lessons. Back in Paris, she practiced her profession as a midwife in parallel with artistic activities and workshop training for 20 years. Retired, based in Brittany 6 months a year, she devoted herself to creation. Travel continues to be an inexhaustible source of inspiration: snapshots of Africa, India, Asia, his themes are as much focused on nature as on metropolises. Architecture and town planning, scenes charged with the history and memory of places. His current choices of expression are engraving, pastels, watercolors, and oil. Constantly seeking to improve her technique, she surrounds herself with experienced painters. Each creative process goes through an exploration of the composition of balance and harmony which will determine the emphasis of the subject and what will be the appropriate support to translate the emotion. The research work seems to him as important, if not more so, than the creation stage. "if the balance is in the head, then the hand only has to follow"

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