Blockbook#One (2012) Sculpture by Baptiste Vanweydeveldt

Not For Sale

Seller Baptiste Vanweydeveldt

Certificate of Authenticity included
This artwork appears in 3 collections
  • Original Artwork Sculpture, Paper
  • Dimensions Height 7.1in, Width 3.9in
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $500 Outsider Art
It is a set of pocket books assembled by a cord tie. The books are arranged for the sake of the color of their edges; for these 1962-63 editions, we still used the colored edges for the pocket books ... They were therefore assembled beforehand for "musicality", like a colored chord ... The part with the titles of the books has been painted[...]
It is a set of pocket books assembled by a cord tie. The books are arranged for the sake of the color of their edges; for these 1962-63 editions, we still used the colored edges for the pocket books ... They were therefore assembled beforehand for "musicality", like a colored chord ... The part with the titles of the books has been painted with different paints with the desire to cover the author and book indications: plaster, acrylic and spray cans without wanting to clean, it is the colored mixtures that still speak here ... This BlockBook is the first realized in 2012, by impulse, like a liberating gesture, I did not yet think that it would be the first of a series which continues even today with other principles of experiments and other materials ...

Related themes

Baptiste VanweydeveldtBaptistevwartArt Contemporain CaenArtiste En NormandieBlockbook

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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