Magical Door (2015) Painting by Aurélie Bescond

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Seller Aurélie Bescond

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This print is available in several sizes.

$26.92
$46.30
$100.14
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Seller Aurélie Bescond

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$48.46
$161.52
$323.04
Max resolution: 1786 x 2396 px
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Artists get paid their royalties for each sales

Seller Aurélie Bescond

  • Original Artwork (One Of A Kind) Painting, Tempera on Canvas
  • Dimensions Height 9.5in, Width 7.1in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Illustration Fairytale
Tempéra à l’oeuf sur carton entoilé (18 x 24 cm). Ma toute première tempéra. N’ayant pas l’habitude de peindre sur toile et avec une peinture aussi opaque, j’ai cherché à reproduire, avec plus ou moins de bonheur, la gamme chromatique que j’utilise d’ordinaire pour mes aquarelles. Modèle déjà utilisé en article de papeterie. [...]
Tempéra à l’oeuf sur carton entoilé (18 x 24 cm). Ma toute première tempéra. N’ayant pas l’habitude de peindre sur toile et avec une peinture aussi opaque, j’ai cherché à reproduire, avec plus ou moins de bonheur, la gamme chromatique que j’utilise d’ordinaire pour mes aquarelles. Modèle déjà utilisé en article de papeterie.

Related themes

MagicienPorteChauve-SourisEnfantIllustration Jeunesse

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Illustrator born in 1980, Aurélie Bescond studied applied arts before training in digital graphics. She published her first illustrations in 1999 with Editions Le Rat Pendu for which she ran a section dedicated[...]

Illustrator born in 1980, Aurélie Bescond studied applied arts before training in digital graphics. She published her first illustrations in 1999 with Editions Le Rat Pendu for which she ran a section dedicated to Japanese fantastic art for a few years.

After a little detour through English-French literary translation following a TMS in her right hand, she recently reconnected with her first love.

Through her illustrations, she approaches themes that are dear to her such as Breton legends, fantasy and death, using her favorite techniques of watercolor and Indian ink, sometimes mixed with new media, without forgetting the bic pen. Because the simplest tool is often the one with the greatest expressive power.

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