St. Luke of Crimea (Voino-Yasenetsky) (2022) Painting by Antonio Kudlapyi

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Seller Antonio Kudlapyi

This artwork visualizes emotions from the mango grove. The work is done in the technique of beaded mosaic. It consists of more than 88,500 pieces of beads and more than 30 colors. Predominant colors and tones: bright red and light green. Glass beads with a diameter of 2 mm are glued to plywood. On June 11, the Russian Orthodox Church celebrates[...]
This artwork visualizes emotions from the mango grove. The work is done in the technique of beaded mosaic. It consists of more than 88,500 pieces of beads and more than 30 colors. Predominant colors and tones: bright red and light green. Glass beads with a diameter of 2 mm are glued to plywood.
On June 11, the Russian Orthodox Church celebrates the memorial day of St. Luke (Voino-Yasenetsky), Archbishop of Simferopol and Crimea. He left for a better world 60 years ago, on June 11, 1961, on the day of the celebration of All Saints who shone in the Russian land.
In 1996, his honest relics were found incorruptible and have since rested in Holy Trinity Cathedral of Simferopol. In 2000, Archbishop Luke was canonized as a saint and confessor.
In the Crimea and beyond, there are many stories about miraculous healings
through the prayers of Luke of the Crimea.

Here is one story of a boy's miraculous healing. In the summer of 2002, the young pianist Nazar Stadnichenko came with his family from Murmansk to Feodosia to visit his grandmother. Because of the heat, the windows in the apartment were wide open. One day Nazar went for a walk with friends.
"I slammed the door and started down the stairs," he recalled. — I went down one flight, I turn my head – and I see red drops on the wall. And then it works in my brain that there seemed to be nothing like that, and where did the blood come from? Then my gaze falls on my left hand, and I see that the first phalanges of the third and fourth fingers have been cut off."
An X-ray of the damaged fingers made in the Feodosiya hospital showed that they could not be saved. During the operation, the surgeon amputated two phalanges, completely removing the joint bags.
A few days after the operation, Nazar's parents went with him to Simferopol. When they reached the Holy Trinity Convent, they began to ask for healing for their son. In memory of visiting the shrine, the boy was brought a laminated icon of the saint and oil from his relics.
The child asked to bind this icon to his crippled fingers and anointed them with oil every day. After a few weeks, when the pain subsided, the boy began to feel a little discomfort at the amputation site, then the remnants of his fingers began to itch. The family went to the doctor. During the examination, he found small bumps at the amputation site. Over time, they grew larger and larger until they acquired the shape and size of normal phalanges. Later, the nails grew out.
Upon learning about this, the surgeon who performed the amputation from Feodosia did not believe that such a thing had happened. After all, it is well known: amputated joint
he can't recover. When he was shown X—rays with fully recovered joints and bones, the doctor had no choice but to admit that it was a miracle.

The technique of bead mosaic developed by me allows you to visualize your desires. If you have ideas for creating new masterpieces of any size, write to me, I am always open to new suggestions.

Related themes

BeadsPortraitSt. Luke

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Antonio Kudlapyi, a contemporary Russian artist, embarked on his artistic journey around a decade ago, delving into the creation of paintings using the unique technique of "Beaded[...]

Antonio Kudlapyi, a contemporary Russian artist, embarked on his artistic journey around a decade ago, delving into the creation of paintings using the unique technique of "Beaded mosaic." Innovating and developing this technique, Antonio estimates that 90 percent of the methodology he employs is a product of his own inventive spirit. Over the years, he has dedicated himself to refining his skills and honing his craft.

Antonio's artistic inspiration takes flight quite literally, as he frequently traverses the skies. During one of these airborne journeys, a profound experience unfolded. Antonio felt a remarkable phenomenon, akin to a vision or revelation. It seemed as if he could see, rather than hear, the sound of jet engines, with his brain deciphering sound waves into frequencies. Compelled by this extraordinary encounter, Antonio took a graphics tablet on his subsequent flight and began translating these "visions" into digital art. This captivating experience involved a mix of Yu.A. Gagarin's voice, famously proclaiming "Let's go!" and the distinctive sound of rocket jet engines. This became the genesis of a series of works that visually represented sound, an artistic endeavor fueled by the artist's unique sensory perceptions at 10,000 meters above ground. Antonio acknowledges that this process is psychologically intricate, perhaps stemming from an inner fear that triggers novel emotions.

Antonio's collection goes beyond traditional portraits, incorporating pieces that delve into the visualization of sound. His artworks are intricate mosaics crafted by adhering beads (without holes) onto a fabric canvas, with the artist meticulously painting beads of 2mm diameter by hand.

Through his art, Antonio Kudlapyi aspires to convey to the world that the sensation of sound can be experienced in unconventional ways, particularly through the eyes, resulting in unforgettable and emotive experiences.

See more from Antonio Kudlapyi

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