In your Mirror (2023) Pittura da A Wibaa

Olio su Vetro, 31,5x23,6 in
1.242,08 USD   1.219,86 USD
Prezzo: Spedizione gratuita
Venditore A Wibaa
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32,68 USD
130,70 USD
272,30 USD
Risoluzione massima: 1974 x 2492 px
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Venditore A Wibaa

Lavoro singolo
Opera firmata dall'artista
Certificato di autenticità incluso
Pronto da appendere
Questa opera è incorniciata
Montato su Altro pannello rigido
Quest'opera d'arte appare in 1 collezioni
  • Opera d'arte originale (One Of A Kind) Pittura, Olio / Acrilico su Vetro
  • Dimensioni 32,3x24,4 in
    Dimensioni dell'opera da sola, senza cornice: Altezza 31,5in, Larghezza 23,6in
  • Condizioni dell'opera d'arte L'opera d'arte è in perfette condizioni
  • Incorniciatura Questa opera è incorniciata
  • Categorie Quadri sotto i 5.000 USD Arte spirituale Amore
Médium : acrylique sur miroir. Année 2023 La décision de l'artiste de peindre sur un miroir vise à inciter le spectateur à réfléchir sur lui-même, afin de regarder à l'intérieur de lui-même. Un look intérieur qui n'est pas facile, car filtré et élaboré à travers l'image peinte. Ici le regard intérieur renvoie à l'altérité[...]
Médium : acrylique sur miroir.
Année 2023
La décision de l'artiste de peindre sur un miroir vise à inciter le spectateur à réfléchir sur lui-même, afin de regarder à l'intérieur de lui-même. Un look intérieur qui n'est pas facile, car filtré et élaboré à travers l'image peinte. Ici le regard intérieur renvoie à l'altérité : le véritable message que l'artiste veut faire passer. L'altérité, en effet, ne signifie pas seulement accepter l'autre par rapport à soi-même, mais aussi et surtout accepter un point de vue autre que le sien. L'élaboration de ce concept oriente le spectateur vers un message de confiance et d'espoir, représenté par les rayons bleus et blancs : une extériorisation de son monde intérieur, précisément parce qu'ils sont le symbole d'une vision extérieure résultant d'une intériorité profondément mûrie.

Medium: acrylic on mirror.
Year 2023
The artist's decision to paint on a mirror aims to urge the viewer to reflect on himself, so as to look inside himself. An interior look that is not easy, because it is filtered and elaborated through the painted image. Here the interior gaze refers to otherness: the true message that the artist wants to convey. Otherness, in fact, does not only mean accepting the other with respect to oneself, but also and above all accepting a point of view other than one's own. Elaborating this concept directs the viewer towards a message of trust and hope, represented by the blue and white rays: an externalization of one's inner world, precisely because they are the symbol of an external vision resulting from a deeply matured interiority.

Oeuvre authentique de l'artiste A-Wibaa.
Il débute sa carrière artistique en suivant un cours au MoMA de New York.
Publié dans divers magazines, il a exposé à Londres, Berlin, Milan Design Week, Rome Art Week, Puerto Rico, Atlanta.
Les œuvres sont exposées dans des galeries européennes et nord-américaines et font partie de collections privées.

Médium : acrylique, huile sur mirror.

Authentic work of the artist A-Wibaa.
He began his artistic career by attending a course at the MoMA in New York.
Published in various magazines, he exhibited in London, Berlin, Milan Design Week, Rome Art Week, Puerto Rico, Atlanta.
The artworks are exhibited in European and North American galleries and are part of private collections.

Medium: acrylic, oil on mirror.

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Abstract Expressionism, Abstraction and abstract art, Acrylic, Aquatint, Art Glass, Assemblage, Bauhaus, Blocking in, Body Art, Canvas, Carving, Casting, Cityscape, Collage, Collagraphs, Collector, Composition, Conceptual art, Contemporary, Crypto Art, C-Type, Curator, Cyanotype, Décollage, Digital Art, Diptych, Drypoint, Editions, Emerging, Engraving, Established, Etching, Figurative, Fin de siècle, Focal Point, Foreground, Gallerist, Gelatin Silver Print, Geometric, Giclée, Glass Art, Gouache, Grafitti, Hard-edge painting, Hyper realism , Impasto, Ink, Installation art, Intaglio Process Prints, Juxtaposition, Kinetic Art, Kitsch, Lacquer, Lambda / Lightjet, Limited Edition, Linocut, Lithography, Mezzotint, Modeling, Modern print, Modernism and Modern Art, Monoprints and Monotypes, Montage, Naive Art, NFT, Oeuvre, Oil, Painting, Palette, Pallidium print, Papier Collé, Pastel, Photography, Photomontage, Platinum print, Polaroid, Pop Art, Post-Modernism, Printmaking, Quilling, Relief Printing, R-type, Salon Hang, Screenprinting / Serigraphy / Silkscreen printing, Sugar Lift, Tondo, Triptych, Umber, Vernissage, Video Art, Vintage print, Vitrine, Watercolour, Xerox Art, Yellowing, Zeitgeist
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His creative process always stems from the desire to share his thought, his idea. Before approaching the canvas, A - Wibaa makes a long inner journey necessary to define his point of view in order to reach[...]

His creative process always stems from the desire to share his thought, his idea. Before approaching the canvas, A - Wibaa makes a long inner journey necessary to define his point of view in order to reach the public.

Then, he looks for colors, materials and style to transfer his emotions to the canvas and start a dialogue with contemporary society.

A - Wibaa is characterized in that each series of works is totally different from the others. He is one of the few living artists who focuses on his creative thinking and not on execution. In an unusual way, He links the latter only to the need to establish, with as few elements as possible, a lively conversation with the community.

The artist was born in Italy, Rome. He is self-taught and he approached painting by attending a course at MoMA in New York - In the Studio: Postwar Abstract Painting – He could learn about the materials, techniques, and approaches of seven New York School artists who made abstract paintings. The “New York School “including De Kooning, Newman, Pollock, Ad Reinhardt and Rothko. A - Wibaa began to understand what a studio means and how ideas develop by looking closely at the paintings.

A - Wibaa paints intuitively using a variety of tools such as brushes, spatulas, sponges, and even his hands. He prefers acrylic and oil colors, mixing them with various other liquids. He does not disdain enamels, sprays, sheaths and charcoals.

Son processus de création découle toujours du désir de partager sa pensée, son idée. Avant d'aborder la toile, A - Wibaa effectue un long voyage intérieur nécessaire pour définir son point de vue afin de toucher le public.
Ensuite, il recherche les couleurs, les matières et le style pour transférer ses émotions sur la toile et entamer un dialogue avec la société contemporaine.
Wibaa se caractérise par le fait que chaque série d'œuvres est totalement différente des autres. Il est l'un des rares artistes vivants qui se concentre sur sa pensée créative et non sur l'exécution. D'une manière inhabituelle, il lie ce dernier uniquement à la nécessité d'établir, avec le moins d'éléments possible, une conversation animée avec la communauté.
L'artiste est né en Italie, à Rome. Il est autodidacte et il s'est approché de la peinture en suivant un cours au MoMA de New York - In the Studio: Postwar Abstract Painting - Il a pu découvrir les matériaux, les techniques et les approches de sept artistes de la New York School qui ont réalisé des peintures abstraites. La « New York School » comprenant De Kooning, Newman, Pollock, Ad Reinhardt et Rothko. A - Wibaa a commencé à comprendre ce qu'est un atelier et comment les idées se développent en regardant attentivement les peintures.
A - Wibaa peint intuitivement en utilisant une variété d'outils tels que des pinceaux, des spatules, des éponges et même ses mains. Il préfère les couleurs acryliques et à l'huile, les mélangeant avec divers autres liquides. Il ne dédaigne pas les émaux, les sprays, les gaines et les fusains.

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